Get 20M+ Full-Text Papers For Less Than $1.50/day. Start a 14-Day Trial for You or Your Team.

Learn More →

"Might be what you like, till you hear the words": Joyce in Zurich and the Contrapuntal Language of Ulysses

"Might be what you like, till you hear the words": Joyce in Zurich and the Contrapuntal Language... "Might be what you like, till you hear the words": Joyce in Zurich and the Contrapuntal Language of Ulysses Jürgen E. Grandt Joyce Studies Annual, Volume 14, Summer 2003, pp. 74-91 (Article) Published by Fordham University Press DOI: https://doi.org/10.1353/joy.2004.0005 For additional information about this article https://muse.jhu.edu/article/54823/summary Access provided at 14 Feb 2020 15:09 GMT from JHU Libraries 05-T2928 3/3/04 11:02 AM Page 74 “Might be what you like, till you hear the words”: Joyce in Zurich and the Contrapuntal Language of Ulysses JÜRGEN E. GRANDT If you can hear, this music will make you think of a lot of weird and won- derful things. You might even become one of them. Amiri Baraka, John Coltrane Live at Birdland When the young American music student Otto Luening arrived in Zurich in early 1917, he had just barely avoided arrest by the Ger- man authorities. The Luenings had spent the first years of World War I in Bavaria, but now that Otto was of military age and had no pass- port, he had become subject to internment. Once in Zurich, he found himself in the cultural hub of Western Europe. Not only diplomats, war profiteers, spies, deserters, refugees, and political agitators http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Joyce Studies Annual Fordham University Press

"Might be what you like, till you hear the words": Joyce in Zurich and the Contrapuntal Language of Ulysses

Joyce Studies Annual , Volume 14 – Apr 13, 2004

Loading next page...
 
/lp/fordham-university-press/might-be-what-you-like-till-you-hear-the-words-joyce-in-zurich-and-the-yn9zixu99V

References

References for this paper are not available at this time. We will be adding them shortly, thank you for your patience.

Publisher
Fordham University Press
Copyright
Copyright © 2003 University of Texas Press.
ISSN
1538-4241

Abstract

"Might be what you like, till you hear the words": Joyce in Zurich and the Contrapuntal Language of Ulysses Jürgen E. Grandt Joyce Studies Annual, Volume 14, Summer 2003, pp. 74-91 (Article) Published by Fordham University Press DOI: https://doi.org/10.1353/joy.2004.0005 For additional information about this article https://muse.jhu.edu/article/54823/summary Access provided at 14 Feb 2020 15:09 GMT from JHU Libraries 05-T2928 3/3/04 11:02 AM Page 74 “Might be what you like, till you hear the words”: Joyce in Zurich and the Contrapuntal Language of Ulysses JÜRGEN E. GRANDT If you can hear, this music will make you think of a lot of weird and won- derful things. You might even become one of them. Amiri Baraka, John Coltrane Live at Birdland When the young American music student Otto Luening arrived in Zurich in early 1917, he had just barely avoided arrest by the Ger- man authorities. The Luenings had spent the first years of World War I in Bavaria, but now that Otto was of military age and had no pass- port, he had become subject to internment. Once in Zurich, he found himself in the cultural hub of Western Europe. Not only diplomats, war profiteers, spies, deserters, refugees, and political agitators

Journal

Joyce Studies AnnualFordham University Press

Published: Apr 13, 2004

There are no references for this article.