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Framing the work: the composition of value in the visual arts

Framing the work: the composition of value in the visual arts PurposeThis paper contributes to the literature on value creation by examining value within the visual arts market and arguing for a broader, socio-culturally informed view of value creation.Design/methodology/approachWe develop an original conceptual framework to model the value co-creation process through which art is legitimised. An illustrative case study of artist Damien Hirst illustrates the application of this framework. FindingsFindings illustrate how value is co-constructed in the visual arts market, demonstrating a need to understand social relationships, as value is dispersed, situational and in-flux.Research limitations/implicationsWe problematise the view that value emerges as a result of operant resources ‘producing effects’ through working on operand resources. Rather, adopting the socio-cultural approach we demonstrate how value emerges, is co-constructed, negotiated and circulated. We establish the need to reconceptualise value as created collaboratively with other actors within industry sectors. The locus of control is therefore dispersed. Moreover, power dynamics at play mean that ‘consumers’ are not homogenous; some are more important than others in the valuation process. Practical implicationsThis more distributed notion of value blurs boundaries between product and service, producer and consumer, offering a more unified perspective on value co-creation which can be used in strategic decision making.Originality/valueWe illustrate that value co-creation must be understood in relation to understanding patterns of hierarchy which influence this process. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png European Journal of Marketing Emerald Publishing

Framing the work: the composition of value in the visual arts

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Publisher
Emerald Publishing
Copyright
Copyright © Emerald Group Publishing Limited
ISSN
0309-0566
DOI
10.1108/EJM-12-2014-0756
Publisher site
See Article on Publisher Site

Abstract

PurposeThis paper contributes to the literature on value creation by examining value within the visual arts market and arguing for a broader, socio-culturally informed view of value creation.Design/methodology/approachWe develop an original conceptual framework to model the value co-creation process through which art is legitimised. An illustrative case study of artist Damien Hirst illustrates the application of this framework. FindingsFindings illustrate how value is co-constructed in the visual arts market, demonstrating a need to understand social relationships, as value is dispersed, situational and in-flux.Research limitations/implicationsWe problematise the view that value emerges as a result of operant resources ‘producing effects’ through working on operand resources. Rather, adopting the socio-cultural approach we demonstrate how value emerges, is co-constructed, negotiated and circulated. We establish the need to reconceptualise value as created collaboratively with other actors within industry sectors. The locus of control is therefore dispersed. Moreover, power dynamics at play mean that ‘consumers’ are not homogenous; some are more important than others in the valuation process. Practical implicationsThis more distributed notion of value blurs boundaries between product and service, producer and consumer, offering a more unified perspective on value co-creation which can be used in strategic decision making.Originality/valueWe illustrate that value co-creation must be understood in relation to understanding patterns of hierarchy which influence this process.

Journal

European Journal of MarketingEmerald Publishing

Published: Jul 11, 2016

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