Access the full text.
Sign up today, get DeepDyve free for 14 days.
References for this paper are not available at this time. We will be adding them shortly, thank you for your patience.
<jats:p> Attaining prominence in the post-war era, Saul Bellow is one of the most widely read and intellectually eclectic novelists of the Jewish American School.<jats:sup>1</jats:sup> Bellow's frequent references to Romanticism form a dominant design within his culturally diverse fiction.<jats:sup>2</jats:sup> Taken from Bellow's Herzog, my title indicates the two levels on which Bellow's Romantic allusions operate. At one level, this ‘webbed’ pattern of ‘golden lines’ suggests how Bellow interlaces his own prose with the poetry and philosophy of British Romanticism to govern readers' responses to his portrayal of epiphanies. On another, Herzog's moment of inter-connected vision signals Bellow's investment in a Coleridgean and Wordsworthian imagination that reveals the all-pervasive spirit of the ‘[o]ne Life within us and abroad’<jats:sup>3</jats:sup>. This metaphysical dimension to Bellow's web of ‘golden lines’ finds a further affinity with Shelley's later notion of the ‘web of being’.<jats:sup>4</jats:sup> </jats:p>
Romanticism – Edinburgh University Press
Published: Apr 1, 2008
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.