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‘The Soundtrack’: The School of Sound Summer Workshop at the ifs internationale filmschule köln

‘The Soundtrack’: The School of Sound Summer Workshop at the ifs internationale filmschule köln In August, 2012, the School of Sound, in collaboration with the ifs ¨ (internationale filmschule koln), conducted a three week post-production workshop, the object of which was to develop collaborative working practices between picture editors, sounds designers and composers. This article describes the processes involved and the philosophy of such interaction. INTENTION The original intention of the workshop was to create an understanding of how a film's soundtrack is related to the picture edit, and both are tied to the script. As the workshop evolved, however, its objective was to help practitioners to develop more integrated processes of production, derived through close collaboration with other key players in the post-production KEYWORDS sound design film composition film editing collaboration post-production The New Soundtrack 3.1 (2013): 81­88 DOI: 10.3366/sound.2013.0037 # Edinburgh University Press www.euppublishing.com/SOUND process. Part of the process involved participants collaborating with others from different countries and cultures. Specifically, the intention was: to integrate/tie together, both practically and conceptually, sound, music and image with narrative; to demonstrate how each component affects the other in a variety of ways; to enable the students to experience the practical and emotional effects of such collaboration; to demonstrate to students how ideas beget http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png The New Soundtrack Edinburgh University Press

‘The Soundtrack’: The School of Sound Summer Workshop at the ifs internationale filmschule köln

Deutsch, Stephen; Sider, Larry
The New Soundtrack , Volume 3 (1): 81 – Mar 1, 2013
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Publisher
Edinburgh University Press
Copyright
© Edinburgh University Press
Subject
Articles; Film, Media and Cultural Studies
ISSN
2042-8855
eISSN
2042-8863
DOI
10.3366/sound.2013.0037
Publisher site
See Article on Publisher Site

Abstract

In August, 2012, the School of Sound, in collaboration with the ifs ¨ (internationale filmschule koln), conducted a three week post-production workshop, the object of which was to develop collaborative working practices between picture editors, sounds designers and composers. This article describes the processes involved and the philosophy of such interaction. INTENTION The original intention of the workshop was to create an understanding of how a film's soundtrack is related to the picture edit, and both are tied to the script. As the workshop evolved, however, its objective was to help practitioners to develop more integrated processes of production, derived through close collaboration with other key players in the post-production KEYWORDS sound design film composition film editing collaboration post-production The New Soundtrack 3.1 (2013): 81­88 DOI: 10.3366/sound.2013.0037 # Edinburgh University Press www.euppublishing.com/SOUND process. Part of the process involved participants collaborating with others from different countries and cultures. Specifically, the intention was: to integrate/tie together, both practically and conceptually, sound, music and image with narrative; to demonstrate how each component affects the other in a variety of ways; to enable the students to experience the practical and emotional effects of such collaboration; to demonstrate to students how ideas beget

Journal

The New Soundtrack – Edinburgh University Press

Published: Mar 1, 2013

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