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Screen as figure

Screen as figure . . . L'écran, bordé en noir comme une lettre In this would be to name in one of the terms the site of their convergence here, the thing named in my title, possibly pre-empting what might be said about this space a figurai common ground. To avert the danger I speak of the less a of film and more a from film, moving 'du cinema à la littérature' and away, for instance, from Marie-Claire Ropars-Wuilleumier and her summum of the subject, De la littérature au cinéma. I am, in the end, more concerned with something filmic to be d in a certain kind of writing—a certain kind of theory—than with suggesting, with, for example, Ropars-Wuilleumier, Christian Metz or Stephen Heath, that cinéma is reading certain rhetorical—in effect literary—effects of a term from vocabulary of film, this article rehearses that all-too-familiar convergence of opposites, literature and cinema. We might prefer to speak of these, more neatly, l'écrit and l'écran (script and ), but the écriture} type of figurai space, 'écriture' h been spectacularly contributors to the journal Tel quel, and it w in the occupied by context of a conference on that journal's itinerary that I began looking http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Paragraph Edinburgh University Press

Screen as figure

Paragraph , Volume 19 (1): 58 – Mar 1, 1996

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Publisher
Edinburgh University Press
Copyright
Copyright © Edinburgh University Press
ISSN
0264-8334
eISSN
1750-0176
DOI
10.3366/para.1996.19.1.58
Publisher site
See Article on Publisher Site

Abstract

. . . L'écran, bordé en noir comme une lettre In this would be to name in one of the terms the site of their convergence here, the thing named in my title, possibly pre-empting what might be said about this space a figurai common ground. To avert the danger I speak of the less a of film and more a from film, moving 'du cinema à la littérature' and away, for instance, from Marie-Claire Ropars-Wuilleumier and her summum of the subject, De la littérature au cinéma. I am, in the end, more concerned with something filmic to be d in a certain kind of writing—a certain kind of theory—than with suggesting, with, for example, Ropars-Wuilleumier, Christian Metz or Stephen Heath, that cinéma is reading certain rhetorical—in effect literary—effects of a term from vocabulary of film, this article rehearses that all-too-familiar convergence of opposites, literature and cinema. We might prefer to speak of these, more neatly, l'écrit and l'écran (script and ), but the écriture} type of figurai space, 'écriture' h been spectacularly contributors to the journal Tel quel, and it w in the occupied by context of a conference on that journal's itinerary that I began looking

Journal

ParagraphEdinburgh University Press

Published: Mar 1, 1996

There are no references for this article.