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. . . L'écran, bordé en noir comme une lettre In this would be to name in one of the terms the site of their convergence here, the thing named in my title, possibly pre-empting what might be said about this space a figurai common ground. To avert the danger I speak of the less a of film and more a from film, moving 'du cinema à la littérature' and away, for instance, from Marie-Claire Ropars-Wuilleumier and her summum of the subject, De la littérature au cinéma. I am, in the end, more concerned with something filmic to be d in a certain kind of writingâa certain kind of theoryâthan with suggesting, with, for example, Ropars-Wuilleumier, Christian Metz or Stephen Heath, that cinéma is reading certain rhetoricalâin effect literaryâeffects of a term from vocabulary of film, this article rehearses that all-too-familiar convergence of opposites, literature and cinema. We might prefer to speak of these, more neatly, l'écrit and l'écran (script and ), but the écriture} type of figurai space, 'écriture' h been spectacularly contributors to the journal Tel quel, and it w in the occupied by context of a conference on that journal's itinerary that I began looking
Paragraph – Edinburgh University Press
Published: Mar 1, 1996
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