Access the full text.
Sign up today, get DeepDyve free for 14 days.
This article examines Philip Marlowe, Raymond Chandler's archetypal private eye, within the context of contemporary historical discourses which theorised the figure of the ‘frontiersman’. It builds upon established scholarship that connects the frontiersman and detective as archetypes of white masculine American heroism, but argues that such criticism is insufficiently engaged with the frontier's spatial characteristics and their implications for the detective. Seeking to redress this, I claim that the detective's conceptual inheritance of the frontiersman's mantle is manifest most clearly in a shared approach to the navigation and ‘conquest’ of space. In closing, I offer the office as an exemplary space of post-frontier modernity.
Crime Fiction Studies – Edinburgh University Press
Published: Mar 1, 2021
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.