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Rated R for Nudity and Metaphysics: Interviewing Walter Murch and Pete Horner on the Sound World of Youth Without Youth

Rated R for Nudity and Metaphysics: Interviewing Walter Murch and Pete Horner on the Sound World... Recently The New Soundtrack revisited Francis Ford Coppola’s dazzling, derided 2007 metaphysical puzzle, Youth Without Youth. On May 25, 2011, TNS editors Stephen Deutsch, Larry Sider and Dominic Power were joined in a Skype interview with the film’s editor, Walter Murch, and sound designer, Pete Horner, to discuss the sonic layers of Coppola’s exploration of ‘time, sex, language and destiny.’ The following is an edited transcript of the conversation that followed. New Soundtrack: When I saw Youth Without Youth I found it so interesting in terms of sound, image and music. Despite the fact that it sank without a trace and very few people I know have heard of it this side KEYWORDS Francis Ford Coppola sound design post-production sound montage film music Osvaldo Golijov The New Soundtrack 2.1 (2012): 5–21 DOI: 10.3366/sound.2012.0023 # Edinburgh University Press www.eupjournals.com/SOUND of the pond, I thought it’s so interesting that it would be good to discuss it with you both. Walter Murch: We’d be very happy to do so. We put a lot of work into it. You never know how a film is going to be received – particularly one that was unusual from the get-go. It definitely disappeared beneath http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png The New Soundtrack Edinburgh University Press

Rated R for Nudity and Metaphysics: Interviewing Walter Murch and Pete Horner on the Sound World of Youth Without Youth

Murch, Walter; Horner, Pete
The New Soundtrack , Volume 2 (1): 5 – Mar 1, 2012
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Publisher
Edinburgh University Press
Copyright
© Edinburgh University Press
Subject
Articles; Film, Media and Cultural Studies
ISSN
2042-8855
eISSN
2042-8863
DOI
10.3366/sound.2012.0023
Publisher site
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Abstract

Recently The New Soundtrack revisited Francis Ford Coppola’s dazzling, derided 2007 metaphysical puzzle, Youth Without Youth. On May 25, 2011, TNS editors Stephen Deutsch, Larry Sider and Dominic Power were joined in a Skype interview with the film’s editor, Walter Murch, and sound designer, Pete Horner, to discuss the sonic layers of Coppola’s exploration of ‘time, sex, language and destiny.’ The following is an edited transcript of the conversation that followed. New Soundtrack: When I saw Youth Without Youth I found it so interesting in terms of sound, image and music. Despite the fact that it sank without a trace and very few people I know have heard of it this side KEYWORDS Francis Ford Coppola sound design post-production sound montage film music Osvaldo Golijov The New Soundtrack 2.1 (2012): 5–21 DOI: 10.3366/sound.2012.0023 # Edinburgh University Press www.eupjournals.com/SOUND of the pond, I thought it’s so interesting that it would be good to discuss it with you both. Walter Murch: We’d be very happy to do so. We put a lot of work into it. You never know how a film is going to be received – particularly one that was unusual from the get-go. It definitely disappeared beneath

Journal

The New Soundtrack – Edinburgh University Press

Published: Mar 1, 2012

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