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Of Metals and Men: Kofman, Conversion and The Merchant of Venice

Of Metals and Men: Kofman, Conversion and The Merchant of Venice Mindful that philosophy is for Kofman always sublated (relevé) by literature and psychoanalysis, this essay examines Kofman's rarely discussed text ‘Conversions: The Merchant of Venice under the Sign of Saturn’ (1987) in the light of themes from elsewhere in her work. Typical of her method, Conversions is a richly philosophical reading of a psychoanalytic interpretation of a literary text. It is also Kofman's most sustained engagement with Shakespeare. In the study she builds on her earlier interest in the trope of metaphor and, drawing on Freud's reading of Shakespeare's play, derives a generalized theory of convertibility or ambivalence. Where the play seeks to establish symbolic equivalences between men and metals — between the triads Antonio/Bassano/Shylock and the lead/gold/silver of the three caskets — Kofman's analysis focuses instead on their respective Janus faces and alchemical transmutations. Beneath the explicit thematizations she follows Freud in discerning the interconvertibility of love and death, but she also goes beyond Freud in arguing that its condition of possibility is the structural ambivalence of time itself. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Paragraph Edinburgh University Press

Of Metals and Men: Kofman, Conversion and The Merchant of Venice

Large, Duncan
Paragraph , Volume 44 (1): 15 – Mar 1, 2021
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References (8)

Publisher
Edinburgh University Press
Copyright
Copyright © Edinburgh University Press
ISSN
0264-8334
eISSN
1750-0176
DOI
10.3366/para.2021.0352
Publisher site
See Article on Publisher Site

Abstract

Mindful that philosophy is for Kofman always sublated (relevé) by literature and psychoanalysis, this essay examines Kofman's rarely discussed text ‘Conversions: The Merchant of Venice under the Sign of Saturn’ (1987) in the light of themes from elsewhere in her work. Typical of her method, Conversions is a richly philosophical reading of a psychoanalytic interpretation of a literary text. It is also Kofman's most sustained engagement with Shakespeare. In the study she builds on her earlier interest in the trope of metaphor and, drawing on Freud's reading of Shakespeare's play, derives a generalized theory of convertibility or ambivalence. Where the play seeks to establish symbolic equivalences between men and metals — between the triads Antonio/Bassano/Shylock and the lead/gold/silver of the three caskets — Kofman's analysis focuses instead on their respective Janus faces and alchemical transmutations. Beneath the explicit thematizations she follows Freud in discerning the interconvertibility of love and death, but she also goes beyond Freud in arguing that its condition of possibility is the structural ambivalence of time itself.

Journal

Paragraph – Edinburgh University Press

Published: Mar 1, 2021

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