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ï²ï¥ï¶ï©ï¥ï·ï³ Nigel Coates, Guide to Ecstacity, Laurence King Publishing, ï²ï°ï°ï³, ï©ï³ï¢ï® ï± ï¸ïµï¶ï¶ï¹ ï³ï¸ï³ ï¸. £ï³ïµ. Can the architectural profession genuinely embrace the concept of buildings feeling good rather than merely looking good? Nigel Coatesâ brash new book is a kaleidoscopic journey, an adrenaline-pumping, helter-skelter ride crowded with overlapping narratives, entwined bodies and iconic city fragments. Ecstacity is a hefty encyclopaedic tome which rambles and repeats itself but is like no other architecture book you will read this year. Coates is currently professor at the Royal College of Art and his adopted city, London, is the quintessence of âEcstacityâ. As always, the city acts as a crucible for new ideas and clashing cultures; a melting pot to nurture the cross-fertilisation of innovative thinking. Certainly Coatesâ quirky manifesto offers a new, resolutely twenty-ï¬rst century way of looking at architecture. Ecstacity endeavours to overturn our ingrained prejudices and posit a new promiscuity, overturning the Ancien Regime and promoting a rampant catholicism. It seems that everything is up for grabs here; the world (Nigelâs world) is processed through a souped-up blender and re-presented across ï´ï¶ïµ pages. One can discern a plethora of inï¬uences (ranging from Jean Cocteau to Calvin Klein and
Architectural Heritage – Edinburgh University Press
Published: Nov 1, 2004
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