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Neuro-Crime Fiction: Detecting Cognitive Difference

Neuro-Crime Fiction: Detecting Cognitive Difference This paper seeks to understand how crime fiction connects with the neuroscientific turn occurring in society and culture today. It argues the genre has inherent ties to the science, technology, and biopolitical imperatives underpinning the neuroscientific turn, and is thus uniquely suited to exploring and challenging the ethical considerations arising from it. The paper highlights the symbiotic relationship between crime fiction and neuroscientific models, in which the particularities of the genre are employed by science while science influences the forms of crime fiction. Looking particularly at recent crime novels focussing on types of dementia, it explores how they affect expected generic endings to mount an ideological critique of a strictly medical and material model of identity formation. It does this through a re-working of today's hegemonic model of brain health, dominated by discourses of ‘neuroplasticity,’ looking in particular at how crime fiction can help us to think differently about cognitive differences and diseases. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Crime Fiction Studies Edinburgh University Press

Neuro-Crime Fiction: Detecting Cognitive Difference

Crime Fiction Studies , Volume 1 (1): 17 – Mar 1, 2020

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Publisher
Edinburgh University Press
Copyright
Copyright © Edinburgh University Press
ISSN
2517-7982
eISSN
2517-7990
DOI
10.3366/cfs.2020.0008
Publisher site
See Article on Publisher Site

Abstract

This paper seeks to understand how crime fiction connects with the neuroscientific turn occurring in society and culture today. It argues the genre has inherent ties to the science, technology, and biopolitical imperatives underpinning the neuroscientific turn, and is thus uniquely suited to exploring and challenging the ethical considerations arising from it. The paper highlights the symbiotic relationship between crime fiction and neuroscientific models, in which the particularities of the genre are employed by science while science influences the forms of crime fiction. Looking particularly at recent crime novels focussing on types of dementia, it explores how they affect expected generic endings to mount an ideological critique of a strictly medical and material model of identity formation. It does this through a re-working of today's hegemonic model of brain health, dominated by discourses of ‘neuroplasticity,’ looking in particular at how crime fiction can help us to think differently about cognitive differences and diseases.

Journal

Crime Fiction StudiesEdinburgh University Press

Published: Mar 1, 2020

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