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C. Franklin (1998)
Romanticism and Colonialism: ‘Some samples of the finest Orientalism’: Byronic Philhellenism and proto-Zionism at the time of the Congress of Vienna
(1814)
The Round Table (2 vols
G. Byron, Jerome McGann, B. Weller (1993)
The complete poetical works
(1998)
Some examples of the finest Orientalism”: Byronic Philhellenism and ProtoZionism at the time of the Congress of Vienna
(1823)
Waterloo’, stanza XLV, in Waterloo and Other Poems (Paris, 1816), 25
(1998)
Catherine Macaulay: Patriot Historian’, in Women Writers and the Early Modern British Political Tradition, ed
W. Guthrie, J. Ferguson, J. Knox (2010)
A New Geographical, Historical, and Commercial Grammar
(1777)
of Geography (2 vols, London, 1747), i
Ensor , On the State of Europe in January 1816 ( London , 1816 ) , 129 – 30 . For Ensor ’ s biography and details of his other works see ‘ Ensor , George ( 1769 – 1843 )
(2002)
Transnational Sympathies, Imaginary Communities’, in The Literary Channel: The Inter-national Invention of the Novel, ed
Michael Rossington (2007)
'The destinies of the world': Shelley's reception and transmission of European news in 1820–21Romanticism, 13
Paul Stock Introduction How did Byron, the Shelleys and their circle react to the political reconstruction of Europe following Napoleonâs ï¬nal defeat in 1815? How did they understand the âstateâ or âconditionâ of Europe after twenty-six years of ideological and military conï¬ict? This article investigates how the Shelleys, Byron and John Cam Hobhouse analyse the European political situation in the eighteen months immediately following Waterloo. In particular, it discusses how they interpret European politics through use of the words âfreedomâ and âlibertyâ. Sometimes this language of freedom constructs a transnational European community, in which states are connected by their shared commitment to âfreeâ government. Complicating this, however, the circle also associate âfreedomâ with ideas of state independence; that is, a Europe divided into rival states independent from one another and not necessarily uniï¬ed by any common tradition. In this respect, the idea of âfreedomâ both evokes and challenges notions of a common European identity. These different usages might appear to be straightforwardly contradictory, but they can be connected, I want to suggest, using the argument of William Hazlittâs essay âOn Patriotismâ (1814), which argues for a patriotic politics that can legitimise transnational collective identity. The European Tradition of
Romanticism – Edinburgh University Press
Published: Jul 1, 2009
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