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Kaleidoscope

Kaleidoscope <jats:p> Imbert's philosophical writings return time and time again to the question of the image. What follows will explore in what terms she does so. The means I will adopt are a lateral exploration of a series of fragments, an assemblage of sorts, which follows the thread provided by a number of images themselves. Steering a path between logic, anthropology and an expanded aesthetics, I will take up the thread of an ongoing concern in Imbert's philosophical project with what she calls the ‘metamorphoses of the visual’. Philosophically speaking, what is at stake, in these metamorphoses, is the kind of realism for which we opt. This question, as I will show, is also the key to Imbert's understanding of modernism. </jats:p> http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Paragraph Edinburgh University Press

Kaleidoscope

Paragraph , Volume 34 (2): 199 – Jul 1, 2011

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Publisher
Edinburgh University Press
Copyright
©© Edinburgh University Press 2011
Subject
Literary Studies
ISSN
0264-8334
eISSN
1750-0176
DOI
10.3366/para.2011.0017
Publisher site
See Article on Publisher Site

Abstract

<jats:p> Imbert's philosophical writings return time and time again to the question of the image. What follows will explore in what terms she does so. The means I will adopt are a lateral exploration of a series of fragments, an assemblage of sorts, which follows the thread provided by a number of images themselves. Steering a path between logic, anthropology and an expanded aesthetics, I will take up the thread of an ongoing concern in Imbert's philosophical project with what she calls the ‘metamorphoses of the visual’. Philosophically speaking, what is at stake, in these metamorphoses, is the kind of realism for which we opt. This question, as I will show, is also the key to Imbert's understanding of modernism. </jats:p>

Journal

ParagraphEdinburgh University Press

Published: Jul 1, 2011

There are no references for this article.