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BROLGA Number 14 June 2001 Editor: Michelle Potter Guillemâs Giselle: rediscovering an old text, by Michelle Potter; Beautyâs bones, by Valerie Lawson; Gertrud Bodenwieserâs Australian repertoire: some notes on costumes, by Eileen Kramer ; Dustbins and taffeta: touring with Australian Dance Theatre in 1982, part ï¬ve, by Hilary Trotter; Triptych: a beautiful multiplicity, by Neil Adams; Random thoughts: from an interview recorded in 1994, by Phillip Adams; and Do dancers turn in their graves?, comment by Robin Grove. Review Flavia Pappacena (ed.), A nineteenth-century sensation: Excelsior: documents and essays, by Michelle Potter. DANCE CHRONICLE Volume 24 Number 1 Editors: George Dorris and Jack Anderson Ivor Guest â An Appreciation, by George Dorris; Three Essays in Honor of Ivor Guest: Three Hybrid Works at the Paris Opéra, circa 1830, by Marian Smith; Collaborative Creations for the Alhambra and the Empire, by Jane Pritchard; and âFreedom Incarnateâ: Jerome Robbins, Gene Kelly, and the Dancing Sailor as an Icon of American Values in World War II, by Beth Genné. Ivor Guest: A Bibliography, 1982â2001: Addenda to the Bibliography Appended to Adventures of a Ballet Historian, by Ivor Guest. Reviews Linda J. Tomko, Dancing Class: Gender, Ethnicity, and the Social Divides in
Dance Research – Edinburgh University Press
Published: Oct 1, 2001
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