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Journals Received

Journals Received BROLGA Number 14 June 2001 Editor: Michelle Potter Guillem’s Giselle: rediscovering an old text, by Michelle Potter; Beauty’s bones, by Valerie Lawson; Gertrud Bodenwieser’s Australian repertoire: some notes on costumes, by Eileen Kramer ; Dustbins and taffeta: touring with Australian Dance Theatre in 1982, part five, by Hilary Trotter; Triptych: a beautiful multiplicity, by Neil Adams; Random thoughts: from an interview recorded in 1994, by Phillip Adams; and Do dancers turn in their graves?, comment by Robin Grove. Review Flavia Pappacena (ed.), A nineteenth-century sensation: Excelsior: documents and essays, by Michelle Potter. DANCE CHRONICLE Volume 24 Number 1 Editors: George Dorris and Jack Anderson Ivor Guest – An Appreciation, by George Dorris; Three Essays in Honor of Ivor Guest: Three Hybrid Works at the Paris Opéra, circa 1830, by Marian Smith; Collaborative Creations for the Alhambra and the Empire, by Jane Pritchard; and ‘Freedom Incarnate’: Jerome Robbins, Gene Kelly, and the Dancing Sailor as an Icon of American Values in World War II, by Beth Genné. Ivor Guest: A Bibliography, 1982–2001: Addenda to the Bibliography Appended to Adventures of a Ballet Historian, by Ivor Guest. Reviews Linda J. Tomko, Dancing Class: Gender, Ethnicity, and the Social Divides in http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Dance Research Edinburgh University Press

Journals Received

Dance Research , Volume 19 (2): 142 – Oct 1, 2001

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Publisher
Edinburgh University Press
Copyright
© Edinburgh University Press
ISSN
0264-2875
eISSN
1750-0095
DOI
10.3366/drs.2001.19.2.142
Publisher site
See Article on Publisher Site

Abstract

BROLGA Number 14 June 2001 Editor: Michelle Potter Guillem’s Giselle: rediscovering an old text, by Michelle Potter; Beauty’s bones, by Valerie Lawson; Gertrud Bodenwieser’s Australian repertoire: some notes on costumes, by Eileen Kramer ; Dustbins and taffeta: touring with Australian Dance Theatre in 1982, part five, by Hilary Trotter; Triptych: a beautiful multiplicity, by Neil Adams; Random thoughts: from an interview recorded in 1994, by Phillip Adams; and Do dancers turn in their graves?, comment by Robin Grove. Review Flavia Pappacena (ed.), A nineteenth-century sensation: Excelsior: documents and essays, by Michelle Potter. DANCE CHRONICLE Volume 24 Number 1 Editors: George Dorris and Jack Anderson Ivor Guest – An Appreciation, by George Dorris; Three Essays in Honor of Ivor Guest: Three Hybrid Works at the Paris Opéra, circa 1830, by Marian Smith; Collaborative Creations for the Alhambra and the Empire, by Jane Pritchard; and ‘Freedom Incarnate’: Jerome Robbins, Gene Kelly, and the Dancing Sailor as an Icon of American Values in World War II, by Beth Genné. Ivor Guest: A Bibliography, 1982–2001: Addenda to the Bibliography Appended to Adventures of a Ballet Historian, by Ivor Guest. Reviews Linda J. Tomko, Dancing Class: Gender, Ethnicity, and the Social Divides in

Journal

Dance ResearchEdinburgh University Press

Published: Oct 1, 2001

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