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PURIFICACIÃN RIBES TNB Calderón de la Barca (1969) Festival de Teatro Clásico de Almagro (1997) Part 2 3. Llovetâs 1997 Version of Volpone State regulations regarding drama experienced a notable evolution in the last decades of the twentieth century: not only was theatre censorship abolished but speciï¬c measures were taken to encourage experimentation in visual arts. The Ministerial Decree issued by Culture Minister Solana on 27 May 1985 regarding the Normativa para las Ayudas al Teatro Español clearly voiced this change: âIt is the Administrationâs responsibility to support the aesthetic experiments prompted by a new social climate of creative freedom that is leading to a renewal of aesthetic trends and staging techniques.â1 It was in this favorable climate that Llovet presented his second, farcical version of Jonsonâs Volpone on the Almagro stage on 5 July 1997, at the twentieth Festival de Teatro Clásico. If his previous version was as innovative as an ambiguous interpretation of legal restrictions would allow, this second one was a wholly updated and experimental stagepiece. It developed a number of traits in his 1969 version while introducing some new ones. In particular, Llovet took his Brechtian approach a step further by expanding the metatheatrical
Ben Jonson Journal – Edinburgh University Press
Published: Nov 1, 2008
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