Access the full text.
Sign up today, get DeepDyve free for 14 days.
Dementia-themed detective fiction has become something of a trend. This article extends the critical history of this development to a period often ignored by scholars, considering two noteworthy examples from the late twentieth century: Reginald Hill's (1984) Exit Lines and Michael Dibdin's (1993) The Dying of the Light. Through textual analysis and historical contextualisation, the article shows how these novels raise disturbing questions about dementia care, older people's rights and therefore their citizenship. Both texts make sophisticated use of the distinctive affordances of the detective fiction genre to comment on failings of care in their time, belying common assumptions that the productive engagement of detective fiction with dementia is a recent innovation.
Crime Fiction Studies – Edinburgh University Press
Published: Sep 1, 2021
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.