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Closing the loop of sonification and electroacoustic music practices through gesture and embodied interaction

Closing the loop of sonification and electroacoustic music practices through gesture and embodied... Sonification and electroacoustic music have different goals but share similar sound design and processing techniques. However, a fruitful crosspollination between these two domains is far from being a common and consolidated practice. On the contrary, the impression is that the two fields tend to underline their peculiarities as a matter of distinction one from the other: in simple terms, one is science, the other is art. In this work, we discuss our point of view about the actual and potential relationships between electroacoustic music and sonification from an interdisciplinary perspective. Sonification is considered here as a design discipline, ranging from the research in Auditory Display (AD) of the past decades to the more recent studies in Sonic Interaction Design (SID) ´ (Franinovic and Serafin, 2013). On the one hand, we consider the manifold contribution that electroacoustic music theory and practice can give to sonification. On the other hand, we argue that Interaction Design (ID) in general, being a discipline at the intersection of natural sciences, humanities, technology The New Soundtrack 4.2 (2014): 165­180 DOI: 10.3366/sound.2014.0061 # Edinburgh University Press and the Contributors www.euppublishing.com/SOUND KEYWORDS non-verbal sound interaction design sound object reduced listening 1.. http://www.bialetti.it/uk/ catalogue/scheda.asp?id_ cat=197 (accessed March http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png The New Soundtrack Edinburgh University Press

Closing the loop of sonification and electroacoustic music practices through gesture and embodied interaction

Polotti, Pietro
The New Soundtrack , Volume 4 (2): 165 – Sep 1, 2014
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Publisher
Edinburgh University Press
Copyright
© Edinburgh University Press and the Contributors
Subject
Articles; Film, Media and Cultural Studies
ISSN
2042-8855
eISSN
2042-8863
DOI
10.3366/sound.2014.0061
Publisher site
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Abstract

Sonification and electroacoustic music have different goals but share similar sound design and processing techniques. However, a fruitful crosspollination between these two domains is far from being a common and consolidated practice. On the contrary, the impression is that the two fields tend to underline their peculiarities as a matter of distinction one from the other: in simple terms, one is science, the other is art. In this work, we discuss our point of view about the actual and potential relationships between electroacoustic music and sonification from an interdisciplinary perspective. Sonification is considered here as a design discipline, ranging from the research in Auditory Display (AD) of the past decades to the more recent studies in Sonic Interaction Design (SID) ´ (Franinovic and Serafin, 2013). On the one hand, we consider the manifold contribution that electroacoustic music theory and practice can give to sonification. On the other hand, we argue that Interaction Design (ID) in general, being a discipline at the intersection of natural sciences, humanities, technology The New Soundtrack 4.2 (2014): 165­180 DOI: 10.3366/sound.2014.0061 # Edinburgh University Press and the Contributors www.euppublishing.com/SOUND KEYWORDS non-verbal sound interaction design sound object reduced listening 1.. http://www.bialetti.it/uk/ catalogue/scheda.asp?id_ cat=197 (accessed March

Journal

The New Soundtrack – Edinburgh University Press

Published: Sep 1, 2014

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