Access the full text.
Sign up today, get DeepDyve free for 14 days.
T r a n s g e n d e r N a t i o n : C r o s s i n g B o r d e r s a n d Q u e e r i n g S p a c e i n T r a n s a m e r i c a p e t e r C a s t e r , A l l i s o n A n d r e w eg in nin g w ith its title , Duncan Tucker's Transamerica (2005) and its preoperative m ale-to-fem ale p ro ta g o n ist Bree (Felicity H uffm an) heading hom e fo r sexual reassignm ent su rg ery situates its e lf as a jo u rn e y across both the nation and boundaries o f sex and gender. The film thu s negotiates gender id e n tity w ith in the con strain ts o f th e road m ovie, a genre w ith its d e fining features o f landscape, travel, pa ir b o nd ing, and narrative reso lu
English Language Notes – Duke University Press
Published: Sep 1, 2007
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.