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The Allegorical Impulse: Toward a Theory of Postmodernism*October, 12
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For an important account of female masculinity, see Judith Halberstam
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16. The author wishes to thank Cherríe Moraga and South End Press for allowing the use of this poem
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For an account of how motherhood has affected my intellectual and political work, see Alice Jardine
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Thinking âOr, failing That, inventâ Alice Jardine The loss of Monique Wittigâs live voice and future texts in January 2003 made me deeply sad, especially so for those closest to her, who loved her. My own sadness has taken the form of a profound political, intellectual, historical, and literary melancholia. Wittigâs impact on literature, feminism, philosophy, lesbian and queer theory, and more has been extensive and inimitable. Wittig was a thinker and poet whom I admired, and also a colleague and a famous person whom I happened to know. She was on the periphery of my private life, but at the heart of my poetic one. Wittigâs voice, particularly her poetic voice, has always been a vital part of my thinking and my conversations about feminism, universality, foundationalism, and psychoanalysis; about heterocentrism, queer theory, and postcolonial and antiracist thinking; indeed, about the possibility of political alliances across all of these often conflicted discursive fields. But Wittig and I rarely encountered each other directly. Hardly ever. Except once upon a time . . . In what follows I take the risk of âanecdotal theoryâ to explore three encounters with Monique Wittig and her work.1 I will not talk about
GLQ: A Journal of Lesbian and Gay Studies – Duke University Press
Published: Jan 1, 2007
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