Access the full text.
Sign up today, get DeepDyve free for 14 days.
Loading next page...
/lp/duke-university-press/the-queerness-of-industrial-music-LqWnYV9VKf
References (20)
-
L. Stallings (2015)
Funk the Erotic: Transaesthetics and Black Sexual Cultures -
P. Hill (2014)
Black sexual politics: African Americans, gender, and the new racismCulture, Health & Sexuality, 16
-
K. Stockton (2006)
Beautiful Bottom, Beautiful Shame: Where “Black” Meets “Queer” -
S. Reed (2013)
Assimilate: A Critical History of Industrial Music -
Joanna Demers (2010)
Listening through the Noise -
Tara Rodgers (2010)
Pink Noises: Women on Electronic Music and Sound -
Mary Russo, D. Warner (1988)
Rough Music, Futurism, and Postpunk Industrial Noise BandsDiscourse: Journal for Theoretical Studies in Media and Culture, 10
-
Heather Love (2007)
Feeling Backward: Loss and the Politics of Queer History -
Alexander Weheliye (2005)
Phonographies: Grooves in Sonic Afro-Modernity -
S. Reynolds (2006)
Rip it up and start again : postpunk 1978-1984 -
Lucas Hilderbrand (2013)
“Luring Disco Dollies to a Life of Vice”: Queer Pop Music's MomentJournal of Popular Music Studies, 25
-
C. O'meara (2013)
Clarity and Order in Sonic Youth's Early Noise RockJournal of Popular Music Studies, 25
-
R. Selzer (1979)
Confessions of a Knife -
J. Muñoz (2000)
Feeling Brown: Ethnicity and Affect in Ricardo Bracho's The Sweetest Hangover (and Other STDs)Theatre Journal, 52
-
David Novak (2013)
Japanoise: Music at the Edge of Circulation -
Joanna Demers (2010)
Listening through the Noise: The Aesthetics of Experimental Electronic Music -
P. Hegarty (2007)
Noise Music: A History -
Jeffrey Schwarz (2015)
I am divine -
Alice Echols (2010)
Hot Stuff: Disco and the Remaking of American Culture -
Darieck Scott (2010)
Extravagant Abjection: Blackness, Power, and Sexuality in the African American Literary Imagination
- Copyright
- Copyright © 2017 Duke University Press
- ISSN
- 0164-2472
- eISSN
- 1527-1951
- DOI
- 10.1215/01642472-4223381
- Publisher site
- See Article on Publisher Site
Abstract
This article explores how queerness and industrial music work through each other in often contradictory and uneasy ways. This radical complementarity invites some of the most promising qualities of their statuses as antinormative manifestations of sexuality and sound. By bringing together queerness and industrial music, this article shows a necessary connection with queerness that is worth emphasizing in industrial’s cultural history. At stake is how queer sites of the auditory become detectable in antagonistic rather than complementary sonic qualities and, in turn, reorient queerness and industrial as politically palpable sonic aesthetics of antiassimilationist sexual expression.
Journal
Social Text – Duke University Press
Published: Dec 1, 2017