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individual confronting a tank, a âgoddess of democracyâ statue, and the June Fourth massacre were brought almost immediately to audiences across the globe. As one observer has characterized it, the event sent shock waves around the world, inspiring and horrifying audiences, âforever changing the way they thought about China.â* The Gate of Heavenly Peace (hereafter The Gate) attempts to arrest this shock effect. Critics have praised the film. It escapes the sensationalism that informed much of the media coverage; it presents an impartial view of the movementâs successes and failures; and it demystifies the students as romantic subalterns in search of democratic reform. We see a range of actors adroitly using the media to resist the government but also to pursue and protect their own interests. And we learn how bitter divisions emerged within the student ranks, divisions that ultimately contributed to the violent showdown between those who remained on the square and government troops in the early morning hours of June Fourth.â The Gate has also received critical acclaim for its masterfully designed page on the World Wide Web. With one click of the mouse, the visitor can read reviews of the film, tour Tiananmen Square, and
positions asia critique – Duke University Press
Published: Dec 1, 1999
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