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/lp/duke-university-press/poetry-ing-feminist-disability-aesthetics-and-poetry-communities-upFj29eNS6
- Copyright
- Copyright © 2011 Regents of the University of Colorado
- ISSN
- 0013-8282
- eISSN
- 2573-3575
- DOI
- 10.1215/00138282-49.2.73
- Publisher site
- See Article on Publisher Site
Abstract
P o e t r y - i n g : F e m i n i s t D i s a b i l i t y A e s t h e t i c s a n d P o e t r y C o m m u n i t i e s P e t r a K ü p p e r s W ith in this syntax, in th is o rd er o f discourse, w o m an , even tho ugh she is hidden, manages to make "s e n s e "—sensation? —manages to create content. — Luce Irigaray1 "sense/sensation/content, w ith in orders o f d iscou rse": this is a challenge th a t con tem po rary artists face w hen they engage art practice and id e n tity politics. Much co n te m p o ra ry practice recedes fro m the space of con tent in the attem pt to critiq ue the discourse itself. Bricolage and m ontage are som e o f the techniques co n te m p o ra ry practice inherits fro m m
Journal
English Language Notes – Duke University Press
Published: Sep 1, 2011