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MEDIEVALIST SURVIVALS/97 tanized Catalan) for the writing of verse in the fifteenth century that Catalan poetry gained its own identity. With Romanticism came a number of historians who, in the words of Jaume Vicens Vives, did not escape their timeâs âdefecte dâópticaâ or defective vision (108). An idealized, romantic view of history by such writers as VÃctor Balaguer renewed the Catalan interest in medieval literature and history, which had shown only sporadic signs of life previously.3 In the romantic historiansâ view, medieval Catalonia embodied a number of virtues, which not surprisingly were shared by other nationsâ rosy views of their past. Prime among them was the notion of a fierce, independent, authority-challenging spiritâindeed a defiance toward royalty. Cataloniaâs only medieval epics, if any existed at all, were diluted into the Chronicles of Jaume I, Bernat Desclot, Ramon Muntaner, and Pere el Cerimoniós; thus, Romantic historians looked to historiography for a nation-affirming past for modern Catalonia. Vicens, writing in the 1950s, was critical of such energetically misguided readings of history, but he still saw the crafting of compromises between the monarchy, on the one hand, and the nobility, Church, and an emerging bourgeoisie, on the other, as definitive of
Comparative Literature – Duke University Press
Published: Jan 1, 2008
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