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Figure 1 to Chinese traditional clothing. The visual and the acoustic parts of our conversationâthe colors, the music of Taiwanese aborigines she selects for her shows, and the touch of the fabric she spends months investigating and creatingâunfortunately cannot be conveyed through the written medium. Hopefully the pictures included here will give readers an idea of the kind of texts and bodies Sophie Hong is creating with her fashion and her artistic vision. Paola Zamperini: When you are designing a dress, do you think about a manâs or a womanâs body? Or do you just think about the dress? In other words, does gender play a role when you are designing clothes? Hong Lifen: No, because for me clothes are worn by people. I want my clothes to speak and to do so with and to everybody. I have been doing this work since 1977, the time I graduated from design school, so I feel very at ease when I design; the shape of the body is inside my head. The only thing I think about is that it is something that will be worn by someone who lives in this day and age, and I want it
positions asia critique – Duke University Press
Published: Sep 1, 2003
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