Access the full text.
Sign up today, get DeepDyve free for 14 days.
Chapter I Prelude Negro music is the result of the ways and experiences of the Negro. However, since we are considering the Negro music found here in America-indeed, in so small an area as the southern United States-we are forced to consider a very special series of influences not like those of any other people in the world. It is therefore neces sary for the reader to have a brief introduction that deals with the nature of folk music in general. This must be followed by a discus sion about the singing ways and customs of Negroes in Africa as well as in America, and a consideration of both of these in relation to the progress of time, which is the great modifier of all of man's activities. Time itself is a rhythmical process. It is the orderly succession of time values which governs all of the vital functions of man's life and the universe. Music is also ordered by this great force. Let us, then, speak of the first half of music-rhythm. The Rhythm Sphere If one stops to consider the fact that he can be sure the sun will rise at a given instant in his locality
Black Sacred Music – Duke University Press
Published: Sep 1, 1995
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.