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662âAmerican Literature rich and complex study of how early American colonists and the Indians they encountered âenlisted ritual, rupture, and narrative to reflect on the hazards they endured,â and how, in the process, they â[told] the story of modernity to themselvesâ (2â3). Preceded by analysis of John Smithâs travel narratives and the Salem witch trials, and followed by consideration of John Marrantâs Methodist journal, Susanna Rowsonâs novels, and the Aaron Burr conspiracy, Wheatley helps Fichtelberg make the argument that â[t]o record risk . . . is at once to constitute, to master, and to yield to its disruptive powerâ (8). Grounded in Anthony Giddensâs account of modernity (from which the phrase ârisk cultureâ is borrowed) and in theories of the performative, Fichtelbergâs provocative readings of better- and lesser-known texts of the early American period lay out a âcultural vocabulary for riskâ that facilitated âthat reflexive self-scrutiny central to actors in a liberal order,â a reflexivity emblematic of modernity itself (9, 186). According to Fichtelberg, Wheatleyâs poetry furnished âspiritual weight to the ruptures shaping Western livesâ (95). Wheatleyâs âfeminine sublimeâ articulates ambivalence about âthe social and spiritual perilâ attached to Calvinist faith (94), the new affiliations that follow âthe
American Literature – Duke University Press
Published: Sep 1, 2011
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