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Three Films About Distrust. Distrust in the Systemic Elements of Society in Slovak Cinema in the Period of Consolidation

Three Films About Distrust. Distrust in the Systemic Elements of Society in Slovak Cinema in the... AbstractUsing the example of three films – Kandidát (The Candidate, 2013, dir. Jonáš Karásek), Pirko (Little Feather, 2016, dir. Lucia and Petr Klein Svoboda), and Únos (Kidnapping, 2017, dir. Mariana Čengel-Solčanská), the present study deals with distrust in the systemic elements of society in Slovak feature films in the period following the establishment of the Audiovisual Fund (2009). By means of a thematic and stylistic analysis, it points to the similarities between the selected films. It shows their rootedness in the established trends of Slovak cinema as well as their diversion from them, which is mirrored in their dialogical work with the phenomenon of reality, by creating an illusion of anticipation or influencing future events. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Slovenske divadlo /The Slovak Theatre de Gruyter

Three Films About Distrust. Distrust in the Systemic Elements of Society in Slovak Cinema in the Period of Consolidation

Slovenske divadlo /The Slovak Theatre , Volume 65 (4): 16 – Dec 1, 2017

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Publisher
de Gruyter
Copyright
© 2017 Jana Dudková, published by De Gruyter Open
eISSN
1336-8605
DOI
10.1515/sd-2017-0020
Publisher site
See Article on Publisher Site

Abstract

AbstractUsing the example of three films – Kandidát (The Candidate, 2013, dir. Jonáš Karásek), Pirko (Little Feather, 2016, dir. Lucia and Petr Klein Svoboda), and Únos (Kidnapping, 2017, dir. Mariana Čengel-Solčanská), the present study deals with distrust in the systemic elements of society in Slovak feature films in the period following the establishment of the Audiovisual Fund (2009). By means of a thematic and stylistic analysis, it points to the similarities between the selected films. It shows their rootedness in the established trends of Slovak cinema as well as their diversion from them, which is mirrored in their dialogical work with the phenomenon of reality, by creating an illusion of anticipation or influencing future events.

Journal

Slovenske divadlo /The Slovak Theatrede Gruyter

Published: Dec 1, 2017

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