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Capa y Espada

Capa y Espada saurus (Boletín del Instituto Caro y Cuervo), Vili (1952), 221-222. Simón Díaz, José. Bibliografía de la literatura hispánica. 2 vols. Madrid, 1950, 195 1. Review by Carlos Valderrama Andrade, Thesaurus, VIII (1952), 213-215. Comedia in America Review by A. V. P., Clavileño, IV, No. 22 (Jul.-Aug., 1953), 77-78. Cervantes en sus autos sacramentales. Zaragoza, 1952 See Miscellaneous; Parker, Valor actual. Homenaje a Cervantes. Lo dirige y edita Francisco Sánchez-Castañer. Valencia, 1950. México and Berkeley, 195 3, pp. 26-56. [Es- Rojas Zorrilla See Miscellaneous: lava, Alarcón, Sor Juana.] Salceda, Alberto G. "La cronología del teatro de Sor Juana." Abside, XVII (1953), 333-358. Bopp, Marianne O. de. "Autos mexicanos Review by P. Groult, Lettres Romanes, VII, del siglo XVI." Historia Mexicana, II (1952- No. 3 (1953), 272-276. Stagg, Geoffrey. "The Date and Form of 1953), 112-123. El trato de Argel?' Bulletin of Hispanic Torres-Rioseco, Arturo. "Tres dramaturgos mexicanos del período colonial." Studies, XXX, No. 120 (Oct.-Dec, 1953), Ensayos sobre literatura latinoamericana, 181-192. Academia. Heraus- comedia de Los bandos de Verona. Rojas y Zorrilla, Francisco de. La gran gegeben von Herbert Koch. Halle, 195 3. Don Juan Theme Rueda, Lope de See Miscellaneous: Giilet. Salazar Chapela, Esteban. "Sobre don Juan." Atenea, XXX, No. 335 (May, 1953), 196-205. Ruiz de Alarcón See Comedia in America: Torres-Rioseco. Sauvage, Micheline. Le cas de Don Juan. Paris, 195 3. Pp. 106. Calderón de la Barca See Miscellaneous: Parker, Valor actual; Rehm. Solls, Antonio de See Miscellaneous: Academia. Conducted by the Editor Research in Progress: Diego Marin, Lecturer in Italian, Spanish and Portuguese, University of Toronto, is undertaking, as a doctoral dissertation, a critical edition of Lope de Vega's autograph manuscript, El galán de la Membrilla (copyin the British Museum). Excerpts from a letter from Walter Poesse, Indiana U.: "In my note on diéresis in the last issue of the Bulletin it was my intention to indicate synaeresis in the tonic position with a curved line under the word. Either, I neglected to do so in the copy I sent you, or, possibly, in the printing, it was omitted. This short corrective note is in- Calderón de la Barca. Amsterdam, 1951. Constandse, A. L. Le Baroque espagnol et Review by A. H., Insula, VII, No. 8 1 (Sep. 15, 1952), Suppl., p. 4. Cordasco, Francesco. "Spanish Influence on Restoration Drama: George Digby's Elvira (1663?)." Revue de Littérature Comparée, XXVIIe Année, No. 1 (Jan.-Mar., 1953). 93-98 ["It is not a translation or its origins are suggested by the three Calderón plays." I. e., No siempre lo peor es cierto, Mejor está que estaba, Peor está que estaba.] Díaz Díaz, Oswaldo. Y los sueños sueños adaptation of any particular play, even if son. Bogotá, Espiral, 1951. Pp. 91. [A modernized version of La vida es sueño.] Dunn, Peter N. "The Horoscope Motif in La vida es sueño." Atlante, I, No. 4 (Oct., 1953), 187-201. Frutos, Eugenio. La filosofía de Calderón tended to indicate synaeresis with a ligature thus: liab ?a, I ea I, aho rcado, tr ahe »." M. A. Thesis, U. of New Mexico: Helen Wilborn, "The gracioso in the Drama of Calderón." (Miss Wilborn studies the gracioso in some twenty plays of Calderón.) http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Bulletin of the Comediantes Bulletin of the Comediantes

Capa y Espada

Bulletin of the Comediantes , Volume 6 (1) – Jan 8, 1954

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1944-0928
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Abstract

saurus (Boletín del Instituto Caro y Cuervo), Vili (1952), 221-222. Simón Díaz, José. Bibliografía de la literatura hispánica. 2 vols. Madrid, 1950, 195 1. Review by Carlos Valderrama Andrade, Thesaurus, VIII (1952), 213-215. Comedia in America Review by A. V. P., Clavileño, IV, No. 22 (Jul.-Aug., 1953), 77-78. Cervantes en sus autos sacramentales. Zaragoza, 1952 See Miscellaneous; Parker, Valor actual. Homenaje a Cervantes. Lo dirige y edita Francisco Sánchez-Castañer. Valencia, 1950. México and Berkeley, 195 3, pp. 26-56. [Es- Rojas Zorrilla See Miscellaneous: lava, Alarcón, Sor Juana.] Salceda, Alberto G. "La cronología del teatro de Sor Juana." Abside, XVII (1953), 333-358. Bopp, Marianne O. de. "Autos mexicanos Review by P. Groult, Lettres Romanes, VII, del siglo XVI." Historia Mexicana, II (1952- No. 3 (1953), 272-276. Stagg, Geoffrey. "The Date and Form of 1953), 112-123. El trato de Argel?' Bulletin of Hispanic Torres-Rioseco, Arturo. "Tres dramaturgos mexicanos del período colonial." Studies, XXX, No. 120 (Oct.-Dec, 1953), Ensayos sobre literatura latinoamericana, 181-192. Academia. Heraus- comedia de Los bandos de Verona. Rojas y Zorrilla, Francisco de. La gran gegeben von Herbert Koch. Halle, 195 3. Don Juan Theme Rueda, Lope de See Miscellaneous: Giilet. Salazar Chapela, Esteban. "Sobre don Juan." Atenea, XXX, No. 335 (May, 1953), 196-205. Ruiz de Alarcón See Comedia in America: Torres-Rioseco. Sauvage, Micheline. Le cas de Don Juan. Paris, 195 3. Pp. 106. Calderón de la Barca See Miscellaneous: Parker, Valor actual; Rehm. Solls, Antonio de See Miscellaneous: Academia. Conducted by the Editor Research in Progress: Diego Marin, Lecturer in Italian, Spanish and Portuguese, University of Toronto, is undertaking, as a doctoral dissertation, a critical edition of Lope de Vega's autograph manuscript, El galán de la Membrilla (copyin the British Museum). Excerpts from a letter from Walter Poesse, Indiana U.: "In my note on diéresis in the last issue of the Bulletin it was my intention to indicate synaeresis in the tonic position with a curved line under the word. Either, I neglected to do so in the copy I sent you, or, possibly, in the printing, it was omitted. This short corrective note is in- Calderón de la Barca. Amsterdam, 1951. Constandse, A. L. Le Baroque espagnol et Review by A. H., Insula, VII, No. 8 1 (Sep. 15, 1952), Suppl., p. 4. Cordasco, Francesco. "Spanish Influence on Restoration Drama: George Digby's Elvira (1663?)." Revue de Littérature Comparée, XXVIIe Année, No. 1 (Jan.-Mar., 1953). 93-98 ["It is not a translation or its origins are suggested by the three Calderón plays." I. e., No siempre lo peor es cierto, Mejor está que estaba, Peor está que estaba.] Díaz Díaz, Oswaldo. Y los sueños sueños adaptation of any particular play, even if son. Bogotá, Espiral, 1951. Pp. 91. [A modernized version of La vida es sueño.] Dunn, Peter N. "The Horoscope Motif in La vida es sueño." Atlante, I, No. 4 (Oct., 1953), 187-201. Frutos, Eugenio. La filosofía de Calderón tended to indicate synaeresis with a ligature thus: liab ?a, I ea I, aho rcado, tr ahe »." M. A. Thesis, U. of New Mexico: Helen Wilborn, "The gracioso in the Drama of Calderón." (Miss Wilborn studies the gracioso in some twenty plays of Calderón.)

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Bulletin of the ComediantesBulletin of the Comediantes

Published: Jan 8, 1954

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