Themes of Paradise in Contemporary British and American Art

Themes of Paradise in Contemporary British and American Art The idea of paradise has inspired the artistic imagination in, at least, two directions. One is an impulse to create a more perfect tomorrow by addressing social ills today. The other is sometimes manifest in a desire to recover a lost spiritual consciousness or creative imagination. These directions are evidenced in the work of two contemporary artists. In an exhibition entitled Tomorrow is Another Day, created for the 2017 Venice Biennale, Los Angeles-based artist Mark Bradford draws the viewer toward an imagined social horizon, beyond which dawns a more perfect world. Simultaneously on view in Venice, but not a part of the Biennale, Damien Hirst’s Treasures from the Wreck of the Unbelievable explores a rapacious hunger for immortality. Purporting to be the salvage of an ancient shipwreck, Hirst’s exhibition tests the modern, post-enlightenment, viewer’s willingness, even ability, to believe. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Religion and the Arts Brill

Themes of Paradise in Contemporary British and American Art

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Publisher
Brill
Copyright
Copyright © Koninklijke Brill NV, Leiden, The Netherlands
ISSN
1079-9265
eISSN
1568-5292
D.O.I.
10.1163/15685292-02201017
Publisher site
See Article on Publisher Site

Abstract

The idea of paradise has inspired the artistic imagination in, at least, two directions. One is an impulse to create a more perfect tomorrow by addressing social ills today. The other is sometimes manifest in a desire to recover a lost spiritual consciousness or creative imagination. These directions are evidenced in the work of two contemporary artists. In an exhibition entitled Tomorrow is Another Day, created for the 2017 Venice Biennale, Los Angeles-based artist Mark Bradford draws the viewer toward an imagined social horizon, beyond which dawns a more perfect world. Simultaneously on view in Venice, but not a part of the Biennale, Damien Hirst’s Treasures from the Wreck of the Unbelievable explores a rapacious hunger for immortality. Purporting to be the salvage of an ancient shipwreck, Hirst’s exhibition tests the modern, post-enlightenment, viewer’s willingness, even ability, to believe.

Journal

Religion and the ArtsBrill

Published: Jan 1, 2018

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