Get 20M+ Full-Text Papers For Less Than $1.50/day. Start a 14-Day Trial for You or Your Team.

Learn More →

On Silence

On Silence 9 On Silence BERNARD P. DAUENHAUER The University of Georgia Though the issue of language has for years been at centerstage for philosophers of many persuasions, an important facet of communication, namely silence, has largely gone unnoticed. Even when the phenomenon of silence has been noticed it has generally not been dealt with thematically. Heidegger, for instance, rapidly draws silence into his ontology. Merleau- Ponty alludes to silence cryptically and suggestively but hardly thematical- ly. To my knowledge Max Picard is the only recent thinker to examine in detail the positive phenomenon of silence.' But Picard's work, though seminal, does not provide a careful account of silence. In this paper I propose to begin, but by no means complete, the task of clarifying the phenomenon of silence. I will argue 1) that silence is a positive phenomenon which shows itself in a multiplicity of profiles, and 2) that the link between silence and sound expression2 is complex, that silence is not merely the background against which sound expression stands forth as figure. Then I will show, briefly, how the phenomenon of silence calls for an ontological interpretation. I will not, however, attempt to provide such an interpretation here. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Research in Phenomenology Brill

Loading next page...
 
/lp/brill/on-silence-tUy3jU9bGU
Publisher
Brill
Copyright
© 1973 Koninklijke Brill NV, Leiden, The Netherlands
ISSN
0085-5553
eISSN
1569-1640
DOI
10.1163/156916473X00026
Publisher site
See Article on Publisher Site

Abstract

9 On Silence BERNARD P. DAUENHAUER The University of Georgia Though the issue of language has for years been at centerstage for philosophers of many persuasions, an important facet of communication, namely silence, has largely gone unnoticed. Even when the phenomenon of silence has been noticed it has generally not been dealt with thematically. Heidegger, for instance, rapidly draws silence into his ontology. Merleau- Ponty alludes to silence cryptically and suggestively but hardly thematical- ly. To my knowledge Max Picard is the only recent thinker to examine in detail the positive phenomenon of silence.' But Picard's work, though seminal, does not provide a careful account of silence. In this paper I propose to begin, but by no means complete, the task of clarifying the phenomenon of silence. I will argue 1) that silence is a positive phenomenon which shows itself in a multiplicity of profiles, and 2) that the link between silence and sound expression2 is complex, that silence is not merely the background against which sound expression stands forth as figure. Then I will show, briefly, how the phenomenon of silence calls for an ontological interpretation. I will not, however, attempt to provide such an interpretation here.

Journal

Research in PhenomenologyBrill

Published: Jan 1, 1973

There are no references for this article.