1 “The Night of the ‘Mouled’, the anniversary of the Birth of the Prophet, Muslim Women leaving a village Mosque.” For references, I have used the original French ver- sion—É. Dinet et Sliman Ben Ibrahim, La Vie de Mohammed, Prophète d’Allah . Illustrations de E. Dinet. Décorations de M. Racim. (Paris: Piazza, 1918), p. 5; as well as the illus- trated, contemporary English-language version—Sliman Ben Ibrahim and Etienne Dinet, The Life of Mohammad: Prophet of Allah . Illustrations by Etienne Dinet. (Secaucus, NJ: Chartwell Books, 1990), p. 33. On the di V usion of the work in various editions, see below. The original painting is in the collection of Mme. Léonce Bénédite, Denise Brahimi, La vie et l’œvre de Etienne Dinet (Paris: ACR Édition, 1991), p. 256, no. 416. MODERN GENDERED ILLUSTRATIONS OF THE LIFE OF THE PROPHET OF ALLAH—ÉTIENNE DINET AND SLIMAN BEN IBRAHIM (1918) by RUTH RODED Abstract The gendered messages in the paintings and text of Dinet and Sliman’s Life of Mohammad are the products of a fascinating social and cultural interchange that developed over three decades between the Frenchman and Algerian life. In this social and cultural con- text, Dinet produced his Orientalist paintings
Arabica – Brill
Published: Jan 1, 2002
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