Media and the Chinese Diaspora: Community, Consumption, and Transnational Imagination

Media and the Chinese Diaspora: Community, Consumption, and Transnational Imagination J O U R N A L O F C H I N E S E O V E R S E A S | V 1 N 1 6 5 Media and the Chinese Diaspora: Community, Consumption, and Transnational Imagination S U N W A N N I N G This article is concerned with the formation of a global diasporic Chinese mediasphere. In the first part, I will delineate the imbricative relationships between community, commerce, and cultural consumption of the Chinese media — what I perceive to be the three conceptual nodes constituting the analytical framework within which meanings of “Chineseness” are constructed and contested. In the second part, I will further argue that a global diasporic Chinese imagination is inherently transnational, and central to the formation of such transnational imaginary is what I refer to as the “transnational mediasphere” which, as I will demonstrate, is a global phenomenon nevertheless inflected with local concerns. I will end with some thoughts on how best to approach this extremely complex and ever-changing phenomenon, tentatively suggesting some points of entry into a place- and context-specific understanding of the production and consumption of the Chinese-language media and the crucial role http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Journal of Chinese Overseas Brill

Media and the Chinese Diaspora: Community, Consumption, and Transnational Imagination

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Publisher
BRILL
Copyright
© 2005 Koninklijke Brill NV, Leiden, The Netherlands
ISSN
1793-0391
eISSN
1793-2548
D.O.I.
10.1163/179325405788639373
Publisher site
See Article on Publisher Site

Abstract

J O U R N A L O F C H I N E S E O V E R S E A S | V 1 N 1 6 5 Media and the Chinese Diaspora: Community, Consumption, and Transnational Imagination S U N W A N N I N G This article is concerned with the formation of a global diasporic Chinese mediasphere. In the first part, I will delineate the imbricative relationships between community, commerce, and cultural consumption of the Chinese media — what I perceive to be the three conceptual nodes constituting the analytical framework within which meanings of “Chineseness” are constructed and contested. In the second part, I will further argue that a global diasporic Chinese imagination is inherently transnational, and central to the formation of such transnational imaginary is what I refer to as the “transnational mediasphere” which, as I will demonstrate, is a global phenomenon nevertheless inflected with local concerns. I will end with some thoughts on how best to approach this extremely complex and ever-changing phenomenon, tentatively suggesting some points of entry into a place- and context-specific understanding of the production and consumption of the Chinese-language media and the crucial role

Journal

Journal of Chinese OverseasBrill

Published: Jan 1, 2005

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