422 2) Zur Komposition der Argonautica des Valerius Flaccus, 1976. 3) Valerius Flaccus (diss., 1934), 67, maintained that 'er am Anfang nicht genau hätte sagen können, wo er am Ende sein würde.' 4) Venini claims that Valerius' poem exhibits 'un' unita di tipo postclassico che ... comporta anche sbalzi, frammentarietà e disuguaglianze', art. cit., 620. She sums up his style as 'lambiccato e immaginoso, risente della nuova poetica barocca', BStudLat 2 (1972), 10. 5) Die Buchzahl der Argonautica des Valerius Flaccus, Philologus 103 (1959), 297 ff. Schetter is supported by Elfrieda Frank, CB 43 (1967), 38 f., who points out cor- respondences between the first and second halves of the poem. Adamietz, op. cit., 111 ff., suggests how Valerius could have brought the poem to a close in the latter part of Book 8. 6) Art. cit., 306. 7) Ibid. 8) E. J. Kenney and W. V. Clausen, The Cambridge History of Classical Literature II (1982), 10. While number and pattern have certainly become an overworked deus ex machina in recent classical scholarship, the evidence for mathematical con- siderations in Vergil is too overwhelming to be dismissed. 9) Latin Prose Prefaces (1964), 104, cites as examples Lucan, Statius,
Mnemosyne – Brill
Published: Jan 1, 1987
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