IL ' CASO ' GALILEO NELLA STORIA DELLA CULTURA MODERNA * EUGENIO GARIN Scuola Normale Superiore - Pisa RÃ � SUMÃ � Des premiÃ¨res rÃ©actions â �� surtout de celles de Descartes â �� Ã � la condamna- tion du Dialogo (1633), il est Ã©vident que cet oeuvre ne rÃ©presente pas seulement une revolution scientifique, mais aussi une revolution philosophique. Par la suite, d'autres images de GalilÃ©e prÃ©valurent, surtout celle de GalilÃ©e martyr de la science ou fondateur d'une mÃ©thode expÃ©rimentale rigoureuse Â« sans thÃ©ories Â», et elles contribuÃ¨rent Ã � faire oublier que le Dialogo fut une occasion de scandale, en tant que livre de philosophie du sujet du monde et de l'homme. SUMMARY From the initial reactions to the condemnation of the Dialogo (1633) and in particular from that of Descartes, the consciousness that the work presented a profound scientific as well as philosophical revolution, clearly emerges. Subsequently, other images of Galileo came to prevail (especially that of the martyr of science or of the founder of a rigorous experimentation without theories) that led to the fact being overlooked that, if the Dialogo generated such a scandal, it was precisely because it represented a great philosophical
Annali dell'Istituto e Museo di storia della scienza di Firenze (preceded Nuncius) – Brill
Published: Jan 1, 1983
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