217 ineinander. Kniipfer drückte als geschickter Regisseur dem Werk seinen Stempel auf. Hdtte man nicht den urkundlichen Nachweis van Wyttenhorst's, so ware man kaum auf seine Zusammenarbeit mit anderen Kinstlem ge- kommen. Co-operation between Nikolaus Kniipfer and other Artists, by CARL WILLN AU. There is documentary evidence that in the painting of the Schwerin picture "Contento" the figure painter Nikolaus Knipfer was assisted by the landscape painter Jan Both and by Jan Baptiste Weenix, painter of animals. The style of the Cassel picture "The Seven Corporal Works of Mercy" also testifies to co-operation between these three artists. It can further be proved that J. Both's works "Argus charmed by Mercury" (Kunsthistorisches Institut, Vienna) and "Hermes, Juno and Argus" (Schlossgalerie, Bayreuth) were painted in collaboration with N. Knipfer and J. B. Weenix. Leonaert Bramer too presumably aided N. Knipfer by depicting silver and gold treasures, in recognition of which J. B. Weenix painted a hunting dog in the painting "Solon before Croesus" (replica after Knipfer), which is signed "L. Bramer". De familie Vinckboons-Vingboons door I. H. VAN EEGHEN. e voor de kunstgeschiedenis der zeventiende eeuw zo bijzonder be- j langrijke familie Vinckboons of wel Vingboons heeft vele pennen in
Oud Holland - Quarterly for Dutch Art History – Brill
Published: Jan 1, 1952
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