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Belongings

Belongings 117 Belongings JOHN LLEWELYN University of Edinburgh ' For J. W. and H. G. . Ich selbst betrachte die Landschaft gar nie. Martin Heidegger Although Hannah and Jack are obviously a devoted couple, zutraut to each other,' it is less obvious whether they are formally an Ehepaar or are joined by a mariage pré-contractuel.2 For she goes by her pen name and he by his brush name, and several years ago her wedding ring was lost. Like Meyer Schapiro and Kurt Goldstein, they have a more or less direct association with Columbia University, but they frequently travel in the opposite direction to that taken by Schapiro and Goldstein, to work in a rented mas just over the Alpilles near Saint-R6my and the road to Arles, not all that far from Le Thor and the Chemin des Lauves. It always seemed a shame that Jack paints by artificial light even during the day, drawing the curtain across a window from which he would otherwise see a landscape of olive groves, almond trees, vines and dark cypresses backed by white crags reaching up to the immaculate Provenqal sky. I now understand that he is drawing the curtain between himself and http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Research in Phenomenology Brill

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Publisher
Brill
Copyright
© 1987 Koninklijke Brill NV, Leiden, The Netherlands
ISSN
0085-5553
eISSN
1569-1640
DOI
10.1163/156916487X00067
Publisher site
See Article on Publisher Site

Abstract

117 Belongings JOHN LLEWELYN University of Edinburgh ' For J. W. and H. G. . Ich selbst betrachte die Landschaft gar nie. Martin Heidegger Although Hannah and Jack are obviously a devoted couple, zutraut to each other,' it is less obvious whether they are formally an Ehepaar or are joined by a mariage pré-contractuel.2 For she goes by her pen name and he by his brush name, and several years ago her wedding ring was lost. Like Meyer Schapiro and Kurt Goldstein, they have a more or less direct association with Columbia University, but they frequently travel in the opposite direction to that taken by Schapiro and Goldstein, to work in a rented mas just over the Alpilles near Saint-R6my and the road to Arles, not all that far from Le Thor and the Chemin des Lauves. It always seemed a shame that Jack paints by artificial light even during the day, drawing the curtain across a window from which he would otherwise see a landscape of olive groves, almond trees, vines and dark cypresses backed by white crags reaching up to the immaculate Provenqal sky. I now understand that he is drawing the curtain between himself and

Journal

Research in PhenomenologyBrill

Published: Jan 1, 1987

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