Anatomy of a Dispute: Leonardo, Pacioli and Scientific Courtly Entertainment in Renaissance Milan

Anatomy of a Dispute: Leonardo, Pacioli and Scientific Courtly Entertainment in Renaissance Milan anatomy of a dispute 115 © Koninklijke Brill NV, Leiden, 2004 Early Science and Medicine 9, 2 Also available online – www.brill.nl ANATOMY OF A DISPUTE: LEONARDO, PACIOLI AND SCIENTIFIC COURTLY ENTERTAINMENT IN RENAISSANCE MILAN * MONICA AZZOLINI University of New South Wales A bstract Historians have recently paid increasing attention to the role of the disputation in Italian universities and humanist circles. By contrast, the role of disputations as forms of entertainment at fifteenth-century Italian courts has been somewhat overlooked. In this article, the Milanese “scientific duel” (a courtly disputation) described in Luca Pacioli’s De divina proportione is taken as a vantage point for the study of the dynamics of scientific patronage and social advancement as reflected in Renaissance courtly disputes. Pacioli names Leonardo da Vinci as one of the participants in the Milanese dispute. In this paper I argue that Leonardo’s Para- gone and Pacioli’s De divina proportione are likewise the outcome of the Milanese “scientific duel.” By challenging the traditional hierarchy of the arts, they both exemplify the dynamics of social and intellectual promotion of mathematicians and artists in the privileged setting of Renaissance courts, where courtly patron- age could subvert the traditional disciplinary rankings. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Early Science and Medicine Brill

Anatomy of a Dispute: Leonardo, Pacioli and Scientific Courtly Entertainment in Renaissance Milan

Early Science and Medicine, Volume 9 (2): 115 – Jan 1, 2004

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Publisher
Brill
Copyright
© 2004 Koninklijke Brill NV, Leiden, The Netherlands
ISSN
1383-7427
eISSN
1573-3823
D.O.I.
10.1163/1573382041154088
Publisher site
See Article on Publisher Site

Abstract

anatomy of a dispute 115 © Koninklijke Brill NV, Leiden, 2004 Early Science and Medicine 9, 2 Also available online – www.brill.nl ANATOMY OF A DISPUTE: LEONARDO, PACIOLI AND SCIENTIFIC COURTLY ENTERTAINMENT IN RENAISSANCE MILAN * MONICA AZZOLINI University of New South Wales A bstract Historians have recently paid increasing attention to the role of the disputation in Italian universities and humanist circles. By contrast, the role of disputations as forms of entertainment at fifteenth-century Italian courts has been somewhat overlooked. In this article, the Milanese “scientific duel” (a courtly disputation) described in Luca Pacioli’s De divina proportione is taken as a vantage point for the study of the dynamics of scientific patronage and social advancement as reflected in Renaissance courtly disputes. Pacioli names Leonardo da Vinci as one of the participants in the Milanese dispute. In this paper I argue that Leonardo’s Para- gone and Pacioli’s De divina proportione are likewise the outcome of the Milanese “scientific duel.” By challenging the traditional hierarchy of the arts, they both exemplify the dynamics of social and intellectual promotion of mathematicians and artists in the privileged setting of Renaissance courts, where courtly patron- age could subvert the traditional disciplinary rankings.

Journal

Early Science and MedicineBrill

Published: Jan 1, 2004

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