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Analoga and Phantasmata: On the Intuitiveness of Imagination in Husserl and Sartre

Analoga and Phantasmata: On the Intuitiveness of Imagination in Husserl and Sartre AbstractIn this essay, I study the departure performed in The Imaginary (Sartre, 1940) from the Husserlian position spanning from the Logical Investigations and the 1904/1905 lectures on the imagination. In Sartre’s conception, the imagination in its two forms (“physical image,” “mental image”) is never intuitive. Moreover, in an act of imagination we can never find immanent sensible contents. In Husserl, the imagination in its two forms (“imaging consciousness,” “phantasia”), is a sensible intuition, like perception. Furthermore, every act of imagination apprehends immanent sensible contents (phantasmata). http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Research in Phenomenology Brill

Analoga and Phantasmata: On the Intuitiveness of Imagination in Husserl and Sartre

Research in Phenomenology , Volume 51 (2): 25 – Sep 22, 2021

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Publisher
Brill
Copyright
Copyright © Koninklijke Brill NV, Leiden, The Netherlands
ISSN
0085-5553
eISSN
1569-1640
DOI
10.1163/15691640-12341472
Publisher site
See Article on Publisher Site

Abstract

AbstractIn this essay, I study the departure performed in The Imaginary (Sartre, 1940) from the Husserlian position spanning from the Logical Investigations and the 1904/1905 lectures on the imagination. In Sartre’s conception, the imagination in its two forms (“physical image,” “mental image”) is never intuitive. Moreover, in an act of imagination we can never find immanent sensible contents. In Husserl, the imagination in its two forms (“imaging consciousness,” “phantasia”), is a sensible intuition, like perception. Furthermore, every act of imagination apprehends immanent sensible contents (phantasmata).

Journal

Research in PhenomenologyBrill

Published: Sep 22, 2021

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