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From the Outside Looking In: Narrative Frames and Narrative Spaces in the Short Stories of Emilia Pardo Bazán (review)

From the Outside Looking In: Narrative Frames and Narrative Spaces in the Short Stories of Emilia... 120 RESEÑAS SUSAN WALTER. From the Outside Looking In: Narrative Frames and Narrative Spaces in the Short Stories of Emilia Pardo Bazán. Newark: Juan de la Cuesta, 2010. 177 pgs. Joyce Tolliver Susan Walter’s monograph is one of three recent volumes by U.S. Hispanists dedicated to the study of the short fiction of Emilia Pardo Bazán, appearing a year after Susan McKenna’s Crafting the Female Subject: Narrative Innovation in the Short Fiction of Emilia Pardo Bazán (Catholic University of America Press, 2009), and in the same year as Linda M. Willem’s edition, “Náufragas” y otros cuentos (European Masterpieces, 2010)—volumes that themselves were published in the wake of this past decade’s marked increase in close readings of Pardo Bazán’s short fiction with a focus on the intersection of gender and narrative voice. Walter’s study thus forms a notable contribution to this critical “boom”—a very welcome turn in Hispanic studies that recognizes not only the importance of the 600-some texts that comprise Pardo Bazán’s short story production, but also the significance and value of the genre itself. In From the Outside Looking In..., Walter examines a group of thirteen stories featuring framed narratives, categorizing them according to the genders of the http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Anales Galdosianos Anales Galdosianos

From the Outside Looking In: Narrative Frames and Narrative Spaces in the Short Stories of Emilia Pardo Bazán (review)

Anales Galdosianos , Volume 47 – Dec 23, 2012

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Publisher
Anales Galdosianos
Copyright
Copyright © by the Author
ISSN
2161-301X

Abstract

120 RESEÑAS SUSAN WALTER. From the Outside Looking In: Narrative Frames and Narrative Spaces in the Short Stories of Emilia Pardo Bazán. Newark: Juan de la Cuesta, 2010. 177 pgs. Joyce Tolliver Susan Walter’s monograph is one of three recent volumes by U.S. Hispanists dedicated to the study of the short fiction of Emilia Pardo Bazán, appearing a year after Susan McKenna’s Crafting the Female Subject: Narrative Innovation in the Short Fiction of Emilia Pardo Bazán (Catholic University of America Press, 2009), and in the same year as Linda M. Willem’s edition, “Náufragas” y otros cuentos (European Masterpieces, 2010)—volumes that themselves were published in the wake of this past decade’s marked increase in close readings of Pardo Bazán’s short fiction with a focus on the intersection of gender and narrative voice. Walter’s study thus forms a notable contribution to this critical “boom”—a very welcome turn in Hispanic studies that recognizes not only the importance of the 600-some texts that comprise Pardo Bazán’s short story production, but also the significance and value of the genre itself. In From the Outside Looking In..., Walter examines a group of thirteen stories featuring framed narratives, categorizing them according to the genders of the

Journal

Anales GaldosianosAnales Galdosianos

Published: Dec 23, 2012

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