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The Cover

The Cover most of the 18th and 19th centuries in a female nude done in the manner of Titian's classic Throughout in Venus Urbino. the taste It was France, public contemporary painting, of rejected by jury. Manet, and was determined what who master of the bon mot and not above was was a a sculpture, drawing by shown the the Salon was a little was undefeated. He added a at Salon. Initially, raillery himself, small exhibit of new works members of second that of a male and both sent relatively by painting, nude, the French it derived its name from back the Both were and to Royal Academy; jury. accepted hung the that fact it held in the Salon of were now more famous was d'Apollon together. They Olympia, the Louvre. After the the than Titian's and Christ Mocked revolution, however, Venus, (cover). in the of and Both became the scandal of Paris. exhibition, spirit equality fraternity, paintings They was all to and was held were considered and offended. One was opened artists, usually vulgar they in the In the number of the other was "horrible." But the annually, spring. time, "gamy"; beyond entries became so that a established fact that http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png JAMA American Medical Association

The Cover

JAMA , Volume 255 (11) – Mar 21, 1986

The Cover

Abstract

most of the 18th and 19th centuries in a female nude done in the manner of Titian's classic Throughout in Venus Urbino. the taste It was France, public contemporary painting, of rejected by jury. Manet, and was determined what who master of the bon mot and not above was was a a sculpture, drawing by shown the the Salon was a little was undefeated. He added a at Salon. Initially, raillery himself, small exhibit of new works members of second that of a male and both sent relatively by...
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Publisher
American Medical Association
Copyright
Copyright © 1986 American Medical Association. All Rights Reserved. Applicable FARS/DFARS Restrictions Apply to Government Use.
ISSN
0098-7484
eISSN
1538-3598
DOI
10.1001/jama.1986.03370110013001
Publisher site
See Article on Publisher Site

Abstract

most of the 18th and 19th centuries in a female nude done in the manner of Titian's classic Throughout in Venus Urbino. the taste It was France, public contemporary painting, of rejected by jury. Manet, and was determined what who master of the bon mot and not above was was a a sculpture, drawing by shown the the Salon was a little was undefeated. He added a at Salon. Initially, raillery himself, small exhibit of new works members of second that of a male and both sent relatively by painting, nude, the French it derived its name from back the Both were and to Royal Academy; jury. accepted hung the that fact it held in the Salon of were now more famous was d'Apollon together. They Olympia, the Louvre. After the the than Titian's and Christ Mocked revolution, however, Venus, (cover). in the of and Both became the scandal of Paris. exhibition, spirit equality fraternity, paintings They was all to and was held were considered and offended. One was opened artists, usually vulgar they in the In the number of the other was "horrible." But the annually, spring. time, "gamy"; beyond entries became so that a established fact that

Journal

JAMAAmerican Medical Association

Published: Mar 21, 1986

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