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The Cover

The Cover do we a artist who to the surface of old find contemporary lure, referring Rarely cracking paint¬ The in / works uninfluenced movements in modern or fine surface lines Wish You art, ings. Happiness, by in one creative from the are as who draws inspiration painted barely visible, but the serene, 1972, yet of to world Flemish of delicate has added the orderly early painting. Equally layering glazes primary rare in a the latter half of the 20th is the colors luminous warmth and to the figure's century an in a we can in our artist whose work reveals inner world rich costume modeled texture that feel Like overall of the and calm. The effect grace, harmony, gentleness, spiritual fingertips. painting's pat¬ she the medieval artists with whom terned of color recalls medieval stained anonymous geometry bears earlier a Swiss artist Bradi Barth a medium in which artists striking glass windows, affinity, laced and stained to reflect (1922- ) sculpts, paints, designs glass sought through intricately propor¬ tions the divine windows dedicated to the of God. universal, harmony. glory Barth to her often Barth that she embody allusive, poetic, openly acknowledges began approaches miniature Middle the in in a http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png JAMA American Medical Association

The Cover

JAMA , Volume 254 (1) – Jul 5, 1985

The Cover

Abstract

do we a artist who to the surface of old find contemporary lure, referring Rarely cracking paint¬ The in / works uninfluenced movements in modern or fine surface lines Wish You art, ings. Happiness, by in one creative from the are as who draws inspiration painted barely visible, but the serene, 1972, yet of to world Flemish of delicate has added the orderly early painting. Equally layering glazes primary rare in a the latter half of the 20th is the colors luminous warmth and to the...
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Publisher
American Medical Association
Copyright
Copyright © 1985 American Medical Association. All Rights Reserved. Applicable FARS/DFARS Restrictions Apply to Government Use.
ISSN
0098-7484
eISSN
1538-3598
DOI
10.1001/jama.1985.03360010010001
Publisher site
See Article on Publisher Site

Abstract

do we a artist who to the surface of old find contemporary lure, referring Rarely cracking paint¬ The in / works uninfluenced movements in modern or fine surface lines Wish You art, ings. Happiness, by in one creative from the are as who draws inspiration painted barely visible, but the serene, 1972, yet of to world Flemish of delicate has added the orderly early painting. Equally layering glazes primary rare in a the latter half of the 20th is the colors luminous warmth and to the figure's century an in a we can in our artist whose work reveals inner world rich costume modeled texture that feel Like overall of the and calm. The effect grace, harmony, gentleness, spiritual fingertips. painting's pat¬ she the medieval artists with whom terned of color recalls medieval stained anonymous geometry bears earlier a Swiss artist Bradi Barth a medium in which artists striking glass windows, affinity, laced and stained to reflect (1922- ) sculpts, paints, designs glass sought through intricately propor¬ tions the divine windows dedicated to the of God. universal, harmony. glory Barth to her often Barth that she embody allusive, poetic, openly acknowledges began approaches miniature Middle the in in a

Journal

JAMAAmerican Medical Association

Published: Jul 5, 1985

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