Abstract
The Cover Like S. Eliot's "ash on an old man's or "dust famous series of the Moulin And Bonnard T. sleeve," Rouge. pursued on a bowl of rose is so so his art career with his leaves," nothing simple, nearly family's approval. so of and as a bowl Bonnard held his first five unnoticed, yet poignant coming upon major exhibit, comprising flowers set on a table in an unused room. Red in 1895, when he was old. His work casually years' work, years Flowers...
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The Cover Like S. Eliot's "ash on an old man's or "dust famous series of the Moulin And Bonnard T. sleeve," Rouge. pursued on a bowl of rose is so so his art career with his leaves," nothing simple, nearly family's approval. so of and as a bowl Bonnard held his first five unnoticed, yet poignant coming upon major exhibit, comprising flowers set on a table in an unused room. Red in 1895, when he was old. His work casually years' work, years Flowers Pierre Bonnard leaves was termed "hideous" no less a than the dean of (cover) by (1867-1947) just by person that stuck into a blue the the so often noted for his kind¬ impression: carelessly squat vase, Impressionists, Pissarro, flowers are on a almost as an ness to and the was shared placed high mantlepiece, younger artists, opinion by and left to with the clutter of and themselves of derision afterthought, Degas, Renoir, Monet, objects compete half-read books and other flowers. Yet these flowers are a few earlier. But in four Pissarro was just years just years or to somehow different. a certain revise his "This artist will for he They possess stillness, opinion: young go
JAMA – American Medical Association
Published: Mar 12, 1982
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