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The Cover

The Cover the Black which had carried off At the some two same time was the Ursula Despite Death, Carpaccio painting large thirds of its Venice he also small 150 the was a on the population only earlier, by cycle, doing years panel painting, Hunting end of 15th and Intended be used the was once a (Recto) (cover). to a shutter for a again powerful popu¬ Lagoon as century of full of and and the lous center into the contains a Europe, gaiety pleasure seekers, window, recto, facing room, hunting almost and shadow from its scene such as one see ifone could look out ofthe window presenting daily pageants. Light might and water vibrated across the across the while the verso the (not constantly changing sky pag¬ marshes, shown), facing eant artists who drama— is a l'oeil still life to the for could the ofletters colors, crying preserve street, trompe pinned panel, and there would be of the earliest was Vittore if had there a Both sides One as been many. they just put by messenger. ofwhose life little is known are carried which is illusion. that to its Carpaccio (1455-1525), painting high point, except he was the son of leather http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png JAMA American Medical Association

The Cover

Southgate, M. Therese
JAMA , Volume 265 (8) – Feb 27, 1991
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The Cover

Abstract

the Black which had carried off At the some two same time was the Ursula Despite Death, Carpaccio painting large thirds of its Venice he also small 150 the was a on the population only earlier, by cycle, doing years panel painting, Hunting end of 15th and Intended be used the was once a (Recto) (cover). to a shutter for a again powerful popu¬ Lagoon as century of full of and and the lous center into the contains a Europe, gaiety pleasure seekers, window, recto, facing room, hunting almost...
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Publisher
American Medical Association
Copyright
Copyright © 1991 American Medical Association. All Rights Reserved. Applicable FARS/DFARS Restrictions Apply to Government Use.
ISSN
0098-7484
eISSN
1538-3598
DOI
10.1001/jama.1991.03460080008001
Publisher site
See Article on Publisher Site

Abstract

the Black which had carried off At the some two same time was the Ursula Despite Death, Carpaccio painting large thirds of its Venice he also small 150 the was a on the population only earlier, by cycle, doing years panel painting, Hunting end of 15th and Intended be used the was once a (Recto) (cover). to a shutter for a again powerful popu¬ Lagoon as century of full of and and the lous center into the contains a Europe, gaiety pleasure seekers, window, recto, facing room, hunting almost and shadow from its scene such as one see ifone could look out ofthe window presenting daily pageants. Light might and water vibrated across the across the while the verso the (not constantly changing sky pag¬ marshes, shown), facing eant artists who drama— is a l'oeil still life to the for could the ofletters colors, crying preserve street, trompe pinned panel, and there would be of the earliest was Vittore if had there a Both sides One as been many. they just put by messenger. ofwhose life little is known are carried which is illusion. that to its Carpaccio (1455-1525), painting high point, except he was the son of leather

Journal

JAMA – American Medical Association

Published: Feb 27, 1991

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