Get 20M+ Full-Text Papers For Less Than $1.50/day. Start a 14-Day Trial for You or Your Team.

Learn More →

THE DYNAMICS AND COHERENCE OF MUSICALLY-EVOKED EMOTION

THE DYNAMICS AND COHERENCE OF MUSICALLY-EVOKED EMOTION Montague Lavy outlines the role played by low-level responses to sounds and patterns in the musical evocation of emotion. Kramer contends that the music ideally embodied by the classical score has an identity, but it has no location. Scruton points out that every emotion requires an object: we can distinguish emotions and classify them only because we can distinguish and classify their (intentional) objects. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Review of Contemporary Philosophy Addleton Academic Publishers

THE DYNAMICS AND COHERENCE OF MUSICALLY-EVOKED EMOTION

LUMINITA POGACEANU
Review of Contemporary Philosophy , Volume 8 (1): 134-138 – Jan 1, 2009
Download PDF
5 pages

Loading next page...
 
/lp/addleton-academic-publishers/the-dynamics-and-coherence-of-musically-evoked-emotion-MICa8WzP34
Publisher
Addleton Academic Publishers
Copyright
© 2009 Addleton Academic Publishers
ISSN
1841-5261
eISSN
2471-089X
Publisher site
See Article on Publisher Site

Abstract

Montague Lavy outlines the role played by low-level responses to sounds and patterns in the musical evocation of emotion. Kramer contends that the music ideally embodied by the classical score has an identity, but it has no location. Scruton points out that every emotion requires an object: we can distinguish emotions and classify them only because we can distinguish and classify their (intentional) objects.

Journal

Review of Contemporary Philosophy – Addleton Academic Publishers

Published: Jan 1, 2009

There are no references for this article.