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A RECONSIDERATION OF GESTALT CONCEPTS AS DESCRIPTIVE METAPHORS IN MUSIC ANALYSIS

A RECONSIDERATION OF GESTALT CONCEPTS AS DESCRIPTIVE METAPHORS IN MUSIC ANALYSIS We shall focus here on the development of the aesthetic and creative dimensions of Gestalt therapy, metaphorical descriptions of the musical experience, and the relationship between the emotional and the aesthetic experience of music. Indurkhya says that the representations emerge from interaction (emergence of representation is a continually ongoing process that pervades all aspects of cognition). Have claims that the dynamics of music can create the experience of movement in depth (intensity is partly created by the strength or volume of the music). Keywords: aesthetic, creative, Gestalt, metaphorical, experience, music http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Review of Contemporary Philosophy Addleton Academic Publishers

A RECONSIDERATION OF GESTALT CONCEPTS AS DESCRIPTIVE METAPHORS IN MUSIC ANALYSIS

Review of Contemporary Philosophy , Volume 9 (1): 185-190 – Jan 1, 2010

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Publisher
Addleton Academic Publishers
Copyright
© 2009 Addleton Academic Publishers
ISSN
1841-5261
eISSN
2471-089X
Publisher site
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Abstract

We shall focus here on the development of the aesthetic and creative dimensions of Gestalt therapy, metaphorical descriptions of the musical experience, and the relationship between the emotional and the aesthetic experience of music. Indurkhya says that the representations emerge from interaction (emergence of representation is a continually ongoing process that pervades all aspects of cognition). Have claims that the dynamics of music can create the experience of movement in depth (intensity is partly created by the strength or volume of the music). Keywords: aesthetic, creative, Gestalt, metaphorical, experience, music

Journal

Review of Contemporary PhilosophyAddleton Academic Publishers

Published: Jan 1, 2010

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