TY - JOUR
AU1 - Rojas, Carlos
AB -  Flies’ Eyes, Mural Remnants, and Jia Pingwa’s Perverse Nostalgia Carlos Rojas Like the trompe l’oeil itself, the fly is obsessed with minutiae, Christian or Confucian. The fly moves between the cracks of houses and bones, waiting upon feasts and misfortune; it generates — it was long thought — spontaneously, coming from nowhere to live briefly on what we leave behind. It is the afterimage of the flesh. — Hillel Schwartz, The Culture of the Copy In the preface to Old Xi’an (Lao Xi’an), a recent volume of old photographs for which the novelist Jia Pingwa contributed a textual commentary, Jia recounts how he once observed some foreigners trying to converse in Chinese with the receptionist at a Xi’an hotel. The foreigners were apparently having considerable difficulty understanding the receptionist’s Xi’an dialect and asked her why she didn’t simply use standard Mandarin. She replied that, during the Han and Tang dynasties, the Xi’an dialect was the standard in China. At this point, Jia Pingwa continues in an apparent non sequitur; positions 14:3 doi 10.1215/10679847-2006-020 Copyright 2006 by Duke University Press positions 14:3 Winter 2006 a fly suddenly flew over and landed on a tourist’s hat. The tourist asked the 
TI - Flies' Eyes, Mural Remnants, and Jia Pingwa's Perverse Nostalgia
JF - positions asia critique
DO - 10.1215/10679847-2006-020
DA - 2006-12-01
UR - https://www.deepdyve.com/lp/duke-university-press/flies-eyes-mural-remnants-and-jia-pingwa-s-perverse-nostalgia-zsNXog8oks
SP - 749
EP - 773
VL - 14
IS - 3
DP - DeepDyve