TY - JOUR
AU - Munchin, David
AB - RE V I E W S 359 stimulating demonstration of the value and beauty inherent in the attempt to hold art and the religious together. doi:10.1093/jts/flt004 JONATHAN EVENS Advance Access publication 28 February 2013 Seven Kings jonathan.evens@btinternet.com The Cambridge Dictionary of Christian Theology. Edited by IAN A. McFARLAND,DAVID A. S. FERGUSSON,KAREN KILBY, and IAIN R. TORRANCE. Pp. xxii þ 549. New York: Cambridge University Press, 2011. ISBN 978 0 521 88092 3.£130/$199. THE central dilemma for anyone publishing a reference work such as this is set out in the preface to this new dictionary: whilst a theological student at his or her desk will probably prefer to have printed copies of the particular texts being stu- died, the place occupied in the past by a couple of reference works is now shared with a computer with a broadband internet connection and access to a plethora of increasingly sophisticated reference materials and tools well beyond what could be con- tained in a shelf of printed reference books. The following aims are therefore set out in the preface: to produce a work that is compact, accessible, accurate, and comprehensive (and apple pie ...), and, further, to be inclusive of diVerent perspec- 
TI - The Cambridge Dictionary of Christian Theology. Edited by Ian A. McFarland, David A. S. Fergusson, Karen Kilby, and Iain R. Torrance.
JF - Journal of Theological Studies
DO - 10.1093/jts/flt007
DA - 2013-04-16
UR - https://www.deepdyve.com/lp/oxford-university-press/the-cambridge-dictionary-of-christian-theology-edited-by-ian-a-zoLjnLlKHh
SP - 359
EP - 361
VL - 64
IS - 1
DP - DeepDyve
ER -