TY - JOUR
AB - Abigail Baker is Assistant Keeper of Archaeology at the Great North Museum, Hancock. Her research focuses on the reception of classical archaeology in museums, both past and present. She is the author of Troy on Display: Scepticism and Wonder at Schliemann’s First Exhibition (2019). Edith Hall held posts at Cambridge, Reading, Oxford, Durham, and Royal Holloway Universities, and was appointed to a Chair in Classics at King’s College London in 2012. She has published more than twenty-five books on ancient Greek and Roman culture and their continuing presence in the modern world. In 2017 she was awarded an honorary doctorate by the University of Athens. Katherine Harloe is Professor of Classics and Intellectual History at the University of Reading. She is author of Winckelmann and the Invention of Antiquity (2013); co-editor of Thucydides in the Modern World (2012), Hellenomania (2018), and Winckelmann and Curiosity in the Eighteenth-Century Gentleman’s Library (2018). She is Joint Editor-in-Chief of the International Journal of the Classical Tradition. Paul Lewis read English Language and Literature at St Catherine’s College, Oxford, before studying seventeenth- and eighteenth-century European art at the Courtauld Institute, London. His career in teaching began at Stourbridge College of Art and continued at the School of Art and Design, Wolverhampton. He retired from the University of Wolverhampton as Head of Media and Cultural Studies. His work in the history of photography led to a continuing collaboration with the documentary photographer Nick Hedges. In 1979 he was a founding co-editor of the journal of photography Ten.8, to which he contributed many articles and reviews. He is currently cataloguing a collection of classicizing ceramics produced in Stoke-on-Trent between 1850 and 1900. Caspar Meyer is Professor of Classical Archaeology at the Bard Graduate Center in New York. His primary interest is in classical material culture of the Aegean and Black Sea regions and its reception among the nomads of ancient Eurasia as well as modern European societies. He is the author of Greco-Scythian Art and the Birth of Eurasia: From Classical Antiquity to Russian Modernity (2013). His current research ranges from topics in archaeological visualization and digital heritage to the possibilities which artefacts and landscapes offer in shaping social experiences. Janett Morgan is an Independent Scholar who researches ancient material culture and its reception. Her publications include studies of the material evidence for gender and religious behaviour in classical Greek houses and cities, the organization of Hellenistic palaces, Achaemenid material culture, and the reception of Achaemenid material culture in classical Greek city-states. Her paper is part of a wider project looking at the reception of classical material culture in nineteenth-century Wales. Alexia Petsalis-Diomidis is Lecturer in Classics at the University of St Andrews. She researches on the cultural history of spaces and objects, using both texts and archaeological remains as sources. She is interested in exploring marginalized, non-elite voices within and beyond the classical world. She focuses on two main areas: on religion, travel, and the body in the Greek world of the Hellenistic and Roman periods; and on the reception of classical material culture, especially ceramics, in Europe c.1760–1830. Her published work includes Truly beyond Wonders: Aelius Aristides and the Cult of Asklepios (2010); she is currently co-editing with Caspar Meyer Drawing the Greek Vase: Classical Reception between Art and Archaeology. Helen Slaney is Research Bids Manager at Roehampton University, where she has been a member of the Classics faculty since 2016. Prior to joining Roehampton, she held the Randall MacIver JRF followed by a British Academy Postdoctoral Fellowship at St Hilda’s College, Oxford, where she completed her DPhil in 2012. She has previously published on the reception of Roman tragedy and ancient dance, including a recent introduction to Seneca’s Medea (2019). Her current project is a monograph entitled Moved by Stone: Kinaesthesia and Classical Antiquity 1750–1820. © The Author(s) 2020. Published by Oxford University Press on behalf of the Institute of Classical Studies. All rights reserved. For permissions, please email: journals.permissions@oup.com. This article is published and distributed under the terms of the Oxford University Press, Standard Journals Publication Model (https://academic.oup.com/journals/pages/open_access/funder_policies/chorus/standard_publication_model)
TI - Contributors
JF - Bulletin of the Institute of Classical Studies
DO - 10.1093/bics/qbaa002
DA - 2020-06-01
UR - https://www.deepdyve.com/lp/oxford-university-press/contributors-tYJixAYKQc
SP - 2
EP - 3
VL - 63
IS - 1
DP - DeepDyve
ER -