TY - JOUR
AU - Stout, Joseph A.
AB - Book Reviews 679 Jr. and Santa Clara poet-sculptor Nora Naranjo­ tion as a man-killer "was inspired by colorful Morse, native people are rarely seen or heard and frequently inaccurate press reports." The in this book. I would have appreciated more first time that Hickok was called Wild Bill analysis of the processes of interpersonal inter­ occurred in the (Springfield) Missoun' weekly action between Indians and their various image Patriot, July 27, 1865. Hickok led an exciting makers. The rare glimpses Dilworth provides life. He was a wagon master, scouted for the show Indians adept at manipulating Anglo Union Army during the Civil War, and served images of themselves, such as Maria Martinez's as a peace officer for a time. After his death, signing other potters' works so they could earn his brother Horace sent letters to editors of peri­ more money. More such insights would have odicals to try to correct the inaccuracies about enriched this book. Hickok's life. The effort failed, for the legends Historians hostile to the deliberate density were too strong. of deconstructionist discourse will not like this Rosa knows more about western gunfighters book; it is not an easy read. If they struggle than almost 
TI - Wild Bill Hickok: The Man and His Myth. By Joseph G. Rosa. (Lawrence: University Press of Kansas, 1996. xxiv, 276 pp. $24.95, ISBN 07006-0773-0.)
JO - The Journal of American History
DO - 10.2307/2952651
DA - 1997-09-01
UR - https://www.deepdyve.com/lp/oxford-university-press/wild-bill-hickok-the-man-and-his-myth-by-joseph-g-rosa-lawrence-tBZNkLEaAv
SP - 679
EP - 679
VL - 84
IS - 2
DP - DeepDyve
ER -