TY - JOUR
AU - Crick, Philip
AB - Philip Crick A N EXHIBITION on the South Bank in the spring of 1979 of an assembly of work on the general theme of the 'Outsiders' poses novel problems for the science of culture. Classified as 'art without precedent or tradition1, the works presented were the aggregate product of thirty-eight individuals of different nationality, each one of whom has led a life that can have had nothing in common with any one of the others. Indeed, whatever the claims concerning unity of attitude which may have been made by zealots on their behalf, it b imperative to stress that the show was never more than a skilful and intriguing ensemble of the talents of solitude. In no way could it be viewed as a collection in the sense of a set of artists drawn from a common movement or from a shared milieu. A good propor- tion of the work was done by individuals able to live well inside the frames of social conformity, even though among this group there might be found members who must have been seen, locally, as eccentric. At the same time, standing alongside these, work was arrayed which derived from a schizo- phrenic person, 
TI - ART CAST OUT
JF - The British Journal of Aesthetics
DO - 10.1093/bjaesthetics/20.1.23
DA - 1980-01-01
UR - https://www.deepdyve.com/lp/oxford-university-press/art-cast-out-rIuEYkhxUX
SP - 23
EP - 28
VL - 20
IS - 1
DP - DeepDyve
ER -