TY - JOUR
AU1 - Zhang, Y.
AU2 - Grassetti, L.
AU3 - Benedetto, G.
AU4 - Lazzeri, D.
AB - J Endocrinol Invest (2014) 37:1237–1238 DOI 10.1007/s40618-014-0192-4 ENDOCRINOLOGY AND ART Y. X. Zhang · L. Grassetti · G. Di Benedetto · D. Lazzeri Received: 25 September 2014 / Accepted: 8 October 2014 / Published online: 18 October 2014 © Italian Society of Endocrinology (SIE) 2014 Simone Peterzano was a renowned artist of the later Ital- Between 1578 and 1582, Peterzano had depicted his ian Mannerism movement, mostly remembered because masterwork in the presbytery, apse and dome of Garegnano he was the master of Michelangelo Merisi better known as Charterhouse (Milan, Italy) [1, 2]. Among these frescoes, in Caravaggio. Indeed from 1584 to 1588, Caravaggio worked the “Adoration of the Shepherd” also known as the “Nativ- as apprenticeship trainee in his workshop. Peterzano also ity” that is located to the left of the altar, the artist portrayed claimed to have trained with Titian in Venice. a man with a large multinodular goiter (Figs. 1, 2). Y. X. Zhang Department of Plastic and Reconstructive Surgery, Shanghai Ninth People’s Hospital, Shanghai Jiao Tong University, School of Medicine, Shanghai, People’s Republic of China L. Grassetti · G. Di Benedetto Department of Plastic and Reconstructive Surgery, Marche Polytechnic University Medical School, University Hospital of 
TI - “Adoration of the shepherds”—Simone Peterzano (1540–1596)
JF - Journal of Endocrinological Investigation
DO - 10.1007/s40618-014-0192-4
DA - 2014-10-18
UR - https://www.deepdyve.com/lp/springer-journals/adoration-of-the-shepherds-simone-peterzano-1540-1596-mLZ3QP0FOL
SP - 1237
EP - 1238
VL - 37
IS - 12
DP - DeepDyve
ER -